Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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At his best Shakespeare has the power to get under the skin of his audience and tap into areas of feeling and experience that they are barely aware of . In this the actor is the go - between and the enabler . If the actor commits to the ...
At his best Shakespeare has the power to get under the skin of his audience and tap into areas of feeling and experience that they are barely aware of . In this the actor is the go - between and the enabler . If the actor commits to the ...
113 ページ
Even in the final exclamations , when he calls the mockery ' unreal he shows an understanding and a distancing of the experience . Wallow in too much emotion , and the story that lies at the centre of the speech is lost .
Even in the final exclamations , when he calls the mockery ' unreal he shows an understanding and a distancing of the experience . Wallow in too much emotion , and the story that lies at the centre of the speech is lost .
231 ページ
You had a fantastic core of experience . I used to love being on stage with Mirren and Gambon , and thinking why and how it was that they were approaching the scene . At that time the RSC had a way of doing things , whereby if you did ...
You had a fantastic core of experience . I used to love being on stage with Mirren and Gambon , and thinking why and how it was that they were approaching the scene . At that time the RSC had a way of doing things , whereby if you did ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |