Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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38 What influence did the fact of boy players ( see pp . 20–1 ) have on Shakespeare's view of women ? He was obviously fascinated by the opportunities for gender ambiguity that all the ' breeches ' parts gave him in the comedies .
38 What influence did the fact of boy players ( see pp . 20–1 ) have on Shakespeare's view of women ? He was obviously fascinated by the opportunities for gender ambiguity that all the ' breeches ' parts gave him in the comedies .
186 ページ
and accused Angelo ( despite the fact that he would realise Angelo would claim he only ' made trial of ' Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to ...
and accused Angelo ( despite the fact that he would realise Angelo would claim he only ' made trial of ' Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to ...
237 ページ
In saying ' You are my heir ' , is he also saying ' Love me , as you loved your father ' ? ' ? A similar thing with Cassius in Julius Caesar . He is assumed to be Machiavellian , a wily political operator ; but in fact the plot to kill ...
In saying ' You are my heir ' , is he also saying ' Love me , as you loved your father ' ? ' ? A similar thing with Cassius in Julius Caesar . He is assumed to be Machiavellian , a wily political operator ; but in fact the plot to kill ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote