Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 27
17 ページ
We will never be certain how Elizabethan actors pronounced Shakespeare's text , but certain deductions have been made from spellings in folio and quartos , rhymes , and the number of feet and the rhythms of the iambic pentameter .
We will never be certain how Elizabethan actors pronounced Shakespeare's text , but certain deductions have been made from spellings in folio and quartos , rhymes , and the number of feet and the rhythms of the iambic pentameter .
55 ページ
The 1623 folio printed 36 plays in all ( Pericles , Two Noble Kinsmen and Edward III , all co - written , were added to the canon later ) . Comparisons between quartos and folio are often revealing about cuts and rewrites , particularly ...
The 1623 folio printed 36 plays in all ( Pericles , Two Noble Kinsmen and Edward III , all co - written , were added to the canon later ) . Comparisons between quartos and folio are often revealing about cuts and rewrites , particularly ...
56 ページ
In the folio for example , Macbeth's speech is printed ( ʻu'replaces ' v ' ) : She should haue dy'de heereafter ; There would haue beene a time for such a word : To morrow , and to morrow , and to morrow , Creepes in this petty pace ...
In the folio for example , Macbeth's speech is printed ( ʻu'replaces ' v ' ) : She should haue dy'de heereafter ; There would haue beene a time for such a word : To morrow , and to morrow , and to morrow , Creepes in this petty pace ...
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote