Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Are we trying to realise the visions which the text has invoked in our imagination , or are we simply out to surprise the audience by the novelty of our ideas ? Did Shakespeare intend Henry V to be a national hero , or did he secretly ...
Are we trying to realise the visions which the text has invoked in our imagination , or are we simply out to surprise the audience by the novelty of our ideas ? Did Shakespeare intend Henry V to be a national hero , or did he secretly ...
93 ページ
Roger and I conceived the idea of writing a children's book ( alas never finished ) about a theatre mouse who longed to go on the stage and took the name of ' Dormouse Valour ' . As we worked on the idea , so each evening the line began ...
Roger and I conceived the idea of writing a children's book ( alas never finished ) about a theatre mouse who longed to go on the stage and took the name of ' Dormouse Valour ' . As we worked on the idea , so each evening the line began ...
148 ページ
If it be so as ' tis - Poor lady , she were better love a dream ! а ( Twelfth Night , 2.2.15-24 ) Stephen Boxer told me that the director John Dexter used to demand that you brought at least one new idea into each rehearsal , and he ...
If it be so as ' tis - Poor lady , she were better love a dream ! а ( Twelfth Night , 2.2.15-24 ) Stephen Boxer told me that the director John Dexter used to demand that you brought at least one new idea into each rehearsal , and he ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote