Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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IMAGINATION , ENERGY , INTERPLAY AND ENJOYMENT What is the most important muscle in the body ? ... It may seem unnecessary emphasising the imagination to actors , since we spend our working lives imagining ourselves to be someone else ...
the shapes which Shakespeare's imagination conjures up . It's partly a matter of the language ; not just a response to the words , but to the ideas . Can you see pity as a ' naked new - born babe striding the blast ' , rage as ' tiger ...
IMAGINATION , ENERGY AND INTERPLAY Plays in the theatre communicate at a deeper level than words and actions , what Brook calls “ the vibration of a great potential force ' . It must be one of the reasons Shakespeare means so much to ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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