Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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decided by the first day of rehearsal , and that casting is the most important part of the director's job . Sometimes their choices can seem recklessly bizarre . Interplay between actors is so important in Shakespeare that miscasting ...
decided by the first day of rehearsal , and that casting is the most important part of the director's job . Sometimes their choices can seem recklessly bizarre . Interplay between actors is so important in Shakespeare that miscasting ...
88 ページ
It's important to discover what doesn't work : discarding unhelpful choices is a way of narrowing down the possibilities . It's also important to identify our strengths and weaknesses . My first director , Peter Dews , used to shout at ...
It's important to discover what doesn't work : discarding unhelpful choices is a way of narrowing down the possibilities . It's also important to identify our strengths and weaknesses . My first director , Peter Dews , used to shout at ...
108 ページ
Shakespeare's lack of interest in backstory and its importance to modern actors has already been discussed ( see pp . 64-5 ) . Stanislavsky has important things to say about the relationship between the construct of a character and the ...
Shakespeare's lack of interest in backstory and its importance to modern actors has already been discussed ( see pp . 64-5 ) . Stanislavsky has important things to say about the relationship between the construct of a character and the ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote