Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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It's nothing personal ; it's just Caesar's determination to take the crown . A qualification : it's not the crown itself , it's how it might change his nature , since the powerful often lose any sense of conscience .
It's nothing personal ; it's just Caesar's determination to take the crown . A qualification : it's not the crown itself , it's how it might change his nature , since the powerful often lose any sense of conscience .
157 ページ
Each speech and scene has its own story , and the whole kaleidoscopic sweep of the action finally has to make sense . It is alarmingly easy to lose sight of what the story of the play is basically about . Judi Dench recalls how in ...
Each speech and scene has its own story , and the whole kaleidoscopic sweep of the action finally has to make sense . It is alarmingly easy to lose sight of what the story of the play is basically about . Judi Dench recalls how in ...
239 ページ
It's a direct response to what has gone before . It's emotionally fevered and that's exciting ; but I love its technical requirements , too . There's something thrilling about knowing that you're doing a complete , single sentence here ...
It's a direct response to what has gone before . It's emotionally fevered and that's exciting ; but I love its technical requirements , too . There's something thrilling about knowing that you're doing a complete , single sentence here ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote