Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
検索結果1-3 / 32
Shakespeare very likely wrote his later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , madness , royalty ...
It can forestall argument and later disappointment ( as an uncut part may be hacked a week before opening ) , but it will mean that the director has already made important choices and begun to shape a concept . Check what cuts have been ...
It's possible that the Duke , as God's deputy on earth ( Angelo later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as a humble friar rather than resort to his divine authority .
レビュー - レビューを書く
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
他の 79 セクションは表示されていません