Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 21
8 ページ
This stage was large enough for leading players to stand centre , and commentators ( clowns or characters like Iago ) to prowl the edges making quips and asides to the audience . Recent discoveries from the foundations of the Rose ...
This stage was large enough for leading players to stand centre , and commentators ( clowns or characters like Iago ) to prowl the edges making quips and asides to the audience . Recent discoveries from the foundations of the Rose ...
19 ページ
After 1594 Shakespeare wrote most , if not all , of his great leading parts for Burbage , and these may therefore reflect the qualities Burbage had as an actor . He must have had a good voice , strong and flexible , and he must have ...
After 1594 Shakespeare wrote most , if not all , of his great leading parts for Burbage , and these may therefore reflect the qualities Burbage had as an actor . He must have had a good voice , strong and flexible , and he must have ...
76 ページ
They picked the plays , cast them , handled the finances , and played many of the leading parts . Laurence Olivier , first director of the National Theatre ( 1963–73 ) , may prove to be the last of that breed .
They picked the plays , cast them , handled the finances , and played many of the leading parts . Laurence Olivier , first director of the National Theatre ( 1963–73 ) , may prove to be the last of that breed .
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote