Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Second , some words have changed their meaning . Though Polonius ' and Hamlet's ' What's the matter ? ' often gets a laugh today , Shakespeare meant by ' matter ' something being read or discussed . There's nothing to be done about this ...
Second , some words have changed their meaning . Though Polonius ' and Hamlet's ' What's the matter ? ' often gets a laugh today , Shakespeare meant by ' matter ' something being read or discussed . There's nothing to be done about this ...
28 ページ
Everyone starts with the text , but some will respond first to meaning , others to sound and shape . But the final intention is the same to be clear about what Shakespeare , and in turn your character , is doing .
Everyone starts with the text , but some will respond first to meaning , others to sound and shape . But the final intention is the same to be clear about what Shakespeare , and in turn your character , is doing .
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Harold Pinter told the cast of his play The Dwarfs : It isn't a question frequently of this doesn't mean this it means that – but of emphasising the word and the meaning will become clear . If you hit a line with particular emphasis ...
Harold Pinter told the cast of his play The Dwarfs : It isn't a question frequently of this doesn't mean this it means that – but of emphasising the word and the meaning will become clear . If you hit a line with particular emphasis ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote