Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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a creating something new ' , but is instead ' on the quest of creating an experience for an audience of something that had already existed in the writer's mind ' . Not every director , however , has thought it possible to determine what ...
a creating something new ' , but is instead ' on the quest of creating an experience for an audience of something that had already existed in the writer's mind ' . Not every director , however , has thought it possible to determine what ...
126 ページ
VIRGINIA WOOLF : ' Shakespeare's mind as the type of the androgynus [ sic ] , of the man - womanly mind ... it is one of the tokens of the fully developed mind that it does not think specially or separately of sex .
VIRGINIA WOOLF : ' Shakespeare's mind as the type of the androgynus [ sic ] , of the man - womanly mind ... it is one of the tokens of the fully developed mind that it does not think specially or separately of sex .
254 ページ
She doesn't think in clumps , because she reveals she has a lawyer's mind . She says , ' But can you if you would ? ' , and he replies , ' Look , what I will not , that I cannot do ' ; to which she answers , ' But might you do't ?
She doesn't think in clumps , because she reveals she has a lawyer's mind . She says , ' But can you if you would ? ' , and he replies , ' Look , what I will not , that I cannot do ' ; to which she answers , ' But might you do't ?
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote