Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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14 It seems agreed that actors , however flamboyant , were much better at natural gesture than orators . “ Take care , ' Bulwer warns , ' that variety of gesture may ... Nature and torture have no ch ' in the middle , nor pleasure its ...
14 It seems agreed that actors , however flamboyant , were much better at natural gesture than orators . “ Take care , ' Bulwer warns , ' that variety of gesture may ... Nature and torture have no ch ' in the middle , nor pleasure its ...
111 ページ
The end purpose of playing is ' to hold as ' twere the mirror up to nature ' . Clowns should ' speak no more than is set down for them ' . This is all good advice , but it's clearly not a complete acting blueprint à la Stanislavsky .
The end purpose of playing is ' to hold as ' twere the mirror up to nature ' . Clowns should ' speak no more than is set down for them ' . This is all good advice , but it's clearly not a complete acting blueprint à la Stanislavsky .
231 ページ
I start with the text because that tells you so much about character , how they speak , the way they use words gives you such clues to the nature of the person – the way Rosaline speaks to Biron is not the same as the way she speaks to ...
I start with the text because that tells you so much about character , how they speak , the way they use words gives you such clues to the nature of the person – the way Rosaline speaks to Biron is not the same as the way she speaks to ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |