Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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14 It seems agreed that actors , however flamboyant , were much better at natural gesture than orators . “ Take care , ' Bulwer warns , ' that variety of gesture may ... Nature and torture have no ch ' in the middle , nor pleasure its ...
The end purpose of playing is ' to hold as ' twere the mirror up to nature ' . Clowns should ' speak no more than is set down for them ' . This is all good advice , but it's clearly not a complete acting blueprint à la Stanislavsky .
I start with the text because that tells you so much about character , how they speak , the way they use words gives you such clues to the nature of the person – the way Rosaline speaks to Biron is not the same as the way she speaks to ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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