Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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74 ページ
... perhaps £ 3000 in modern money ) picked from his pocket , but Hal says it's only worth eightpence ( 3p ; perhaps £ 3 ) . With this degree of precision in the writing it will repay the actor to look into his character's exact financial ...
... perhaps £ 3000 in modern money ) picked from his pocket , but Hal says it's only worth eightpence ( 3p ; perhaps £ 3 ) . With this degree of precision in the writing it will repay the actor to look into his character's exact financial ...
188 ページ
... perhaps this is his preferred remedy . Laws and exhortation to virtue will never defeat vice , but ' craft ' may and this is the line the Duke has chosen . The 500 lines of Act 3 form , I think , the real core of the play ...
... perhaps this is his preferred remedy . Laws and exhortation to virtue will never defeat vice , but ' craft ' may and this is the line the Duke has chosen . The 500 lines of Act 3 form , I think , the real core of the play ...
211 ページ
... perhaps the convention was that the woman didn't accept first time ? The Malvolio plot is then cleared up , which ... Perhaps Shakespeare is saying love knows no bounds of gender , age or class ; or perhaps he is saying that marriage is ...
... perhaps the convention was that the woman didn't accept first time ? The Malvolio plot is then cleared up , which ... Perhaps Shakespeare is saying love knows no bounds of gender , age or class ; or perhaps he is saying that marriage is ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote