Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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16 CHARACTER AND PERSONATION > It is often said that the idea of ' character ' , the study of a person's complex and varied psychology , didn't emerge till the birth of the novel in the mid - eighteenth century .
16 CHARACTER AND PERSONATION > It is often said that the idea of ' character ' , the study of a person's complex and varied psychology , didn't emerge till the birth of the novel in the mid - eighteenth century .
142 ページ
Another person is coursing through your veins , is breathing through your lungs . But of course , it's not . It's only you - another arrangement of you . ' An actor can only play aspects of herself , not some construct of another person ...
Another person is coursing through your veins , is breathing through your lungs . But of course , it's not . It's only you - another arrangement of you . ' An actor can only play aspects of herself , not some construct of another person ...
246 ページ
Don't pretend we're not in the Olivier , don't pretend I don't have to vocalise to reach that person at the back . Even in the night scene before Agincourt when Henry is on his own , and he is praying and panicking and berating God ...
Don't pretend we're not in the Olivier , don't pretend I don't have to vocalise to reach that person at the back . Even in the night scene before Agincourt when Henry is on his own , and he is praying and panicking and berating God ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote