Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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16 CHARACTER AND PERSONATION > It is often said that the idea of ' character ' , the study of a person's complex and varied psychology , didn't emerge till the birth of the novel in the mid - eighteenth century .
Another person is coursing through your veins , is breathing through your lungs . But of course , it's not . It's only you - another arrangement of you . ' An actor can only play aspects of herself , not some construct of another person ...
Don't pretend we're not in the Olivier , don't pretend I don't have to vocalise to reach that person at the back . Even in the night scene before Agincourt when Henry is on his own , and he is praying and panicking and berating God ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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