Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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The theatre's licence dictated that the plays had to be performed between 2 and 5 p.m. The ' two - hour traffic of our stage ' was possible for Macbeth ( 2,100 lines ) and A Midsummer Night's Dream ( 2,120 lines ) ...
Do we play the text as truthfully as possible , and hope the hidden things come to life , the indefinable stuff begins to flow ? Are we trying to recharge the play's first meaning , or are we reinterpreting what we think Shakespeare had ...
To leave choices and possibilities open as late as possible , rather than closing down avenues and constantly tidying up . But to be able to pull things together as performance looms . To be a tactful leader and ensure that everybody ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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