Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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The theatre's licence dictated that the plays had to be performed between 2 and 5 p.m. The ' two - hour traffic of our stage ' was possible for Macbeth ( 2,100 lines ) and A Midsummer Night's Dream ( 2,120 lines ) ...
The theatre's licence dictated that the plays had to be performed between 2 and 5 p.m. The ' two - hour traffic of our stage ' was possible for Macbeth ( 2,100 lines ) and A Midsummer Night's Dream ( 2,120 lines ) ...
79 ページ
Do we play the text as truthfully as possible , and hope the hidden things come to life , the indefinable stuff begins to flow ? Are we trying to recharge the play's first meaning , or are we reinterpreting what we think Shakespeare had ...
Do we play the text as truthfully as possible , and hope the hidden things come to life , the indefinable stuff begins to flow ? Are we trying to recharge the play's first meaning , or are we reinterpreting what we think Shakespeare had ...
150 ページ
To leave choices and possibilities open as late as possible , rather than closing down avenues and constantly tidying up . But to be able to pull things together as performance looms . To be a tactful leader and ensure that everybody ...
To leave choices and possibilities open as late as possible , rather than closing down avenues and constantly tidying up . But to be able to pull things together as performance looms . To be a tactful leader and ensure that everybody ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |