Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 38
8 ページ
The outer walls were probably hexagonal , about 100 feet in diameter and 36 feet high . The inner walls afforded a depth of 12 feet for three levels of tiered benches topped by a thatched roof ( the cause of the 1613 fire ) .
The outer walls were probably hexagonal , about 100 feet in diameter and 36 feet high . The inner walls afforded a depth of 12 feet for three levels of tiered benches topped by a thatched roof ( the cause of the 1613 fire ) .
11 ページ
Some actors were praised for their versatility – Burbage could easily have played Hamlet and Malvolio on successive afternoons - but in those plays frequently revived actors probably stuck with an agreed line of roles , and handed them ...
Some actors were praised for their versatility – Burbage could easily have played Hamlet and Malvolio on successive afternoons - but in those plays frequently revived actors probably stuck with an agreed line of roles , and handed them ...
22 ページ
In the 1590s Will Kemp was probably a bigger draw than Burbage , certainly than Shakespeare . Kemp was essentially a clown , and the clown's relationship has always been firstly with the audience , and only secondly with his character ...
In the 1590s Will Kemp was probably a bigger draw than Burbage , certainly than Shakespeare . Kemp was essentially a clown , and the clown's relationship has always been firstly with the audience , and only secondly with his character ...
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote