Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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BACKSTORY AND OMISSIONS Arthur Miller wrote that ' the biggest single dramatic problem'is ' how to dramatise what has gone before'.4 Shakespeare didn't see it that way . In many of his plays we have to accept a simple premise .
It has a business - like , nononsense air about it , not unlike Rosalind and Celia's early verse . Some of it could be played out front to the audience . A problem with this scene is the absence of the terrors of shipwreck and of ...
There may be other deeper motives than sexual jealousy , or lack of preferment , or a colour problem , or a class problem , but actually do we need to look any further ? Have you addressed the audience during speeches , with other ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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