Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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PROSE Over a quarter of Shakespeare's text is in PROSE , though the balance varies from play to play . He never repeated his early experiments with writing entirely in verse in King John and Richard II . In a later play the Gardeners ...
( 3.2.97–104 ) On occasions Shakespeare's prose is so close to verse that it's difficult to decide which he intended . In Romeo and Juliet the first , so - called ' bad ' , quarto ( 1597 ) prints Mercutio's Queen Mab speech in verse ...
( 4.1.14-25 ) Lady Macbeth sleepwalks in startled , fitful prose : Out , damned spot ; out , I say . One , two , - why , then ' tis , time to do't . Hell is murky . Fie , my lord , fie , a soldier and afeard ?
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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