Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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My first director , Peter Dews , used to shout at me in rehearsal : ' Stop thinking it , just do it ! So if you find analysis comes easily , concentrate on instinct ; and similarly with assertiveness and vulnerability , irony and ...
My first director , Peter Dews , used to shout at me in rehearsal : ' Stop thinking it , just do it ! So if you find analysis comes easily , concentrate on instinct ; and similarly with assertiveness and vulnerability , irony and ...
148 ページ
If it be so as ' tis - Poor lady , she were better love a dream ! а ( Twelfth Night , 2.2.15-24 ) Stephen Boxer told me that the director John Dexter used to demand that you brought at least one new idea into each rehearsal , and he ...
If it be so as ' tis - Poor lady , she were better love a dream ! а ( Twelfth Night , 2.2.15-24 ) Stephen Boxer told me that the director John Dexter used to demand that you brought at least one new idea into each rehearsal , and he ...
150 ページ
CONCLUSION Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives , ambiguity , politics , sex , character , passion , temperance and imagination . Don't be hurried .
CONCLUSION Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives , ambiguity , politics , sex , character , passion , temperance and imagination . Don't be hurried .
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote