Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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My first director , Peter Dews , used to shout at me in rehearsal : ' Stop thinking it , just do it ! So if you find analysis comes easily , concentrate on instinct ; and similarly with assertiveness and vulnerability , irony and ...
If it be so as ' tis - Poor lady , she were better love a dream ! а ( Twelfth Night , 2.2.15-24 ) Stephen Boxer told me that the director John Dexter used to demand that you brought at least one new idea into each rehearsal , and he ...
CONCLUSION Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives , ambiguity , politics , sex , character , passion , temperance and imagination . Don't be hurried .
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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