Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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88 ページ
... rehearsal room having a bath or feeding the ducks . Always remember that rehearsal is the time when you can make radical changes . Iris Murdoch puts it wonderfully : Any artist knows that the space between the stage where the work is ...
... rehearsal room having a bath or feeding the ducks . Always remember that rehearsal is the time when you can make radical changes . Iris Murdoch puts it wonderfully : Any artist knows that the space between the stage where the work is ...
148 ページ
... rehearsal , and he would then say , ' Don't talk about it , show me it . ' Demonstration was always the key . Stephen said what was remarkable was that if you had one idea and it worked , the knock - on effect could be to infuse the ...
... rehearsal , and he would then say , ' Don't talk about it , show me it . ' Demonstration was always the key . Stephen said what was remarkable was that if you had one idea and it worked , the knock - on effect could be to infuse the ...
150 ページ
... Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives , ambiguity , politics , sex , character , passion ... rehearsal which your instinct is telling 150 REHEARSAL Conclusion.
... Rehearsal is the time to examine all the aspects we've covered : the language , shaping the story , objectives , ambiguity , politics , sex , character , passion ... rehearsal which your instinct is telling 150 REHEARSAL Conclusion.
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote