Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Writers could afford to be wayward about punctuation and spelling , even where their own names were concerned ( there were dozens of different spellings of ' Shakespeare ' ) , because listening was everything , and the sound of words ...
Writers could afford to be wayward about punctuation and spelling , even where their own names were concerned ( there were dozens of different spellings of ' Shakespeare ' ) , because listening was everything , and the sound of words ...
48 ページ
ONOMATOPOEIA is a word which imitates its meaning in sound , as in ' roar ' , ' coo ' , and ' murmur ' . Shakespeare often uses words in repetition : ' Knock , knock , knock ' grumbles Macbeth's porter ( three gets a laugh where two ...
ONOMATOPOEIA is a word which imitates its meaning in sound , as in ' roar ' , ' coo ' , and ' murmur ' . Shakespeare often uses words in repetition : ' Knock , knock , knock ' grumbles Macbeth's porter ( three gets a laugh where two ...
57 ページ
Rhymes should be observed unless they sound ridiculous . ' further ' might justify keeping ' murther ' , but rhyming ' have ' and ' cave ' would produce bafflement . Contractions are another problem . “ Thou'rt i'th'right , girl ; more ...
Rhymes should be observed unless they sound ridiculous . ' further ' might justify keeping ' murther ' , but rhyming ' have ' and ' cave ' would produce bafflement . Contractions are another problem . “ Thou'rt i'th'right , girl ; more ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote