Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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8 ページ
... suggest that its stage was not a simple rectangle , but tapered from 36 feet to 26 feet at the front and was only 15 ... ( suggesting that the actors may have been conscious that they were playing to some extent in the round ) . Above that ...
... suggest that its stage was not a simple rectangle , but tapered from 36 feet to 26 feet at the front and was only 15 ... ( suggesting that the actors may have been conscious that they were playing to some extent in the round ) . Above that ...
56 ページ
... suggest that the speaker should not interrupt the flow of thought as much as he would if there were full stops . Modern editors vary : New Penguin puts a full stop and a dash ; Riverside a semi - colon and a full stop ; Oxford / Norton ...
... suggest that the speaker should not interrupt the flow of thought as much as he would if there were full stops . Modern editors vary : New Penguin puts a full stop and a dash ; Riverside a semi - colon and a full stop ; Oxford / Norton ...
188 ページ
... suggest that it was on his mind in the first scene ) . ACT 4 , SCENE I This scene , which begins with a song , feels like the start of a romantic comedy . It's not very plausible , since Mariana says of the Duke / Friar that he hath ...
... suggest that it was on his mind in the first scene ) . ACT 4 , SCENE I This scene , which begins with a song , feels like the start of a romantic comedy . It's not very plausible , since Mariana says of the Duke / Friar that he hath ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote