Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Who is the character alone on stage talking to ? There are various possibilities . Shakespeare sometimes provides a person , Mark Antony talking to the murdered Caesar , Juliet to the absent Romeo , Malvolio to the imagined ( though in ...
The speech becomes just about us and our feelings , not what we're talking about . But be not too tame neither : if the character is not moved by this crisis in his life then the audience won't be either . As Peter Hall says : Here is ...
Who are you talking to in a soliloquy ? I would like at one point during the performance to look at every single member of the audience , and when I was at The Other Place ( the RSC's studio theatre in Stratford ) I made sure that I ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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