Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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87 ページ
... things about ourselves we don't much like . This requires an atmosphere of trust , which the director should be nurturing . The important thing is to free the subconscious and let it have full rein , but at the same time to start ...
... things about ourselves we don't much like . This requires an atmosphere of trust , which the director should be nurturing . The important thing is to free the subconscious and let it have full rein , but at the same time to start ...
144 ページ
... things from her point of view , but don't gloss over her faults , and above all don't crave to be liked or play for sympathy . Rosalind , Richard II , Cressida , Falstaff , Helena and Othello will all emerge as more rounded characters ...
... things from her point of view , but don't gloss over her faults , and above all don't crave to be liked or play for sympathy . Rosalind , Richard II , Cressida , Falstaff , Helena and Othello will all emerge as more rounded characters ...
248 ページ
... things that I was telling him . All the rehearsals were about absolute clarity of thought . To explore all those things honestly is quite scary , because they are all the things that hold a human being together - your relationship to ...
... things that I was telling him . All the rehearsals were about absolute clarity of thought . To explore all those things honestly is quite scary , because they are all the things that hold a human being together - your relationship to ...
多く使われている語句
acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote