Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Leontes'unbalanced mental state causes him to skip almost unintelligibly from thought to thought in this wonderful passage : Ha ' not you seen , Camillo – But that's past doubt ; you have , or your eye - glass Is thicker than a ...
Ten years earlier Shakespeare might have taken twenty lines to express this thought pattern . Now he cuts to the quick , and the key words – ' do ' , ' heaven ' , ' revenge ' – tumble starkly out and are repeated .
As the philosopher Jerry Fodor writes : ' Language is not simply for communication , it's also for the externalisation of thought – to speak out loud what we're thinking . Thoughts inevitably seem different when put into words .
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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