Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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“ As Shakespeare prepared his tragedies he seems possessed by certain words and motifs which form a network of sense and allusion . They act as a kind of verbal ground - base to the whole action . ' Time ' is his most constant ...
“ As Shakespeare prepared his tragedies he seems possessed by certain words and motifs which form a network of sense and allusion . They act as a kind of verbal ground - base to the whole action . ' Time ' is his most constant ...
111 ページ
Passion runs high in all Shakespeare's plays , in the comedies as much as the tragedies : think of Petruchio and Kate , Angelo and Isabella , Ford's jealousy , and Malvolio's final line . ' Passionating ' was a skill the Elizabethans ...
Passion runs high in all Shakespeare's plays , in the comedies as much as the tragedies : think of Petruchio and Kate , Angelo and Isabella , Ford's jealousy , and Malvolio's final line . ' Passionating ' was a skill the Elizabethans ...
128 ページ
Just as it's important to look for comedy in the tragedies , it's vital to give weight to tragic passages in the comedies . Imogen , Helena , Portia , Viola and Rosalind don't have an obvious comic agenda : their predicament is at times ...
Just as it's important to look for comedy in the tragedies , it's vital to give weight to tragic passages in the comedies . Imogen , Helena , Portia , Viola and Rosalind don't have an obvious comic agenda : their predicament is at times ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |