Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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You might decide on different turning points , or that each scene has more than one turning point . The vital thing is to observe the conflict ... In turn the whole play has a shape and structure . Lear abdicates and is driven out into ...
You might decide on different turning points , or that each scene has more than one turning point . The vital thing is to observe the conflict ... In turn the whole play has a shape and structure . Lear abdicates and is driven out into ...
104 ページ
Whereto the climber - upward turns his face ; But when he once attains the upmost round , He then unto the ladder turns his back , Looks ... but when the humble achieve their ambition they often turn their back on their former state .
Whereto the climber - upward turns his face ; But when he once attains the upmost round , He then unto the ladder turns his back , Looks ... but when the humble achieve their ambition they often turn their back on their former state .
144 ページ
Just because things turn out badly doesn't mean your character isn't confident of success . ... Turning points and reversals are the stuff of drama : how late do Iago , Edmund , Lady Macbeth , Antony and Cleopatra realise the game is up ...
Just because things turn out badly doesn't mean your character isn't confident of success . ... Turning points and reversals are the stuff of drama : how late do Iago , Edmund , Lady Macbeth , Antony and Cleopatra realise the game is up ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote