Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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43 ページ
... VERSE There are no fixed rules about this movement , but there's always a reason , and we have to be alive to the development . Some instances are very clear . Beatrice and ... verse , Olivia continues PROSE INTO VERSE 43 Prose into Verse.
... VERSE There are no fixed rules about this movement , but there's always a reason , and we have to be alive to the development . Some instances are very clear . Beatrice and ... verse , Olivia continues PROSE INTO VERSE 43 Prose into Verse.
44 ページ
... verse as she becomes more interested in him / her ( see pp . 201–2 ) . After ' To be or not to be ' Ophelia starts her scene with Hamlet in verse , but Hamlet's sudden attack on ' Ha , ha ! Are you honest ? ' moves them into prose . On ...
... verse as she becomes more interested in him / her ( see pp . 201–2 ) . After ' To be or not to be ' Ophelia starts her scene with Hamlet in verse , but Hamlet's sudden attack on ' Ha , ha ! Are you honest ? ' moves them into prose . On ...
243 ページ
... verse - speaking - that allows you to forget you're speaking verse . The audience need to feel the verse somehow . But at the same time the meaning is just as important . What you need is the ability to blend the two together . I think ...
... verse - speaking - that allows you to forget you're speaking verse . The audience need to feel the verse somehow . But at the same time the meaning is just as important . What you need is the ability to blend the two together . I think ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote