Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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( 2.3.3-6 ) PROSE INTO VERSE There are no fixed rules about this movement , but there's always a reason , and we have to be alive to the development . Some instances are very clear . Beatrice and Benedick speak in prose to one another ...
her beauty that she moves into verse , Olivia continues to tease her in prose , but then she too goes into verse as she becomes more interested in him / her ( see pp . 201-2 ) . After “ To be or not to be ' Ophelia starts her scene with ...
You need great experience of verse - speaking - that allows you to forget you're speaking verse . The audience need to feel the verse somehow . But at the same time the meaning is just as important . What you need is the ability to ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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