Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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10 VOICE , GESTURE AND ACCENT The Elizabethans had a strong belief in truthful acting ; ' lively and naturally ' were the watchwords . The player who ' affects grossly ' is ' so far forced from life ' that he betrays himself ' to be ...
VOICE AND SONNETS It's important to get the voice into shape . We may have to do seven hours ' rehearsal in a day , going over and over long scenes , and the voice needs to be able to cope . So get used to warming the voice up each day ...
VOICE AND MOVEMENT 1 The actor's instrument is his voice and body , and these have to be kept in shape during rehearsal . In most Shakespeare rehearsals some attention is given to voice and movement sessions .
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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