Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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10 VOICE , GESTURE AND ACCENT The Elizabethans had a strong belief in truthful acting ; ' lively and naturally ' were the watchwords . The player who ' affects grossly ' is ' so far forced from life ' that he betrays himself ' to be ...
10 VOICE , GESTURE AND ACCENT The Elizabethans had a strong belief in truthful acting ; ' lively and naturally ' were the watchwords . The player who ' affects grossly ' is ' so far forced from life ' that he betrays himself ' to be ...
83 ページ
VOICE AND SONNETS It's important to get the voice into shape . We may have to do seven hours ' rehearsal in a day , going over and over long scenes , and the voice needs to be able to cope . So get used to warming the voice up each day ...
VOICE AND SONNETS It's important to get the voice into shape . We may have to do seven hours ' rehearsal in a day , going over and over long scenes , and the voice needs to be able to cope . So get used to warming the voice up each day ...
96 ページ
VOICE AND MOVEMENT 1 The actor's instrument is his voice and body , and these have to be kept in shape during rehearsal . In most Shakespeare rehearsals some attention is given to voice and movement sessions .
VOICE AND MOVEMENT 1 The actor's instrument is his voice and body , and these have to be kept in shape during rehearsal . In most Shakespeare rehearsals some attention is given to voice and movement sessions .
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote