Kung Fu Cult MastersWallflower Press, 2003 - 229 ページ From the balletic intensity of Bruce Lee to the gravity-defying swordplay of Crouching Tiger, Hidden Dragon, the Chinese martial arts film has captured audiences' imaginations around the world while absorbing influences ranging from Beijing opera to computer games. Its global impact can be seen in the Hollywood crossover of stars such as Jackie Chan and Hong Kong-influenced films such as The Matrix. In this wide-ranging study, Leon Hunt looks at the mythic allure of the Shaolin Temple, the 'Clones' of Bruce Lee, gender-bending swordswomen, and the knockabout comedy of Sammo Hung, bringing new insights to a hugely popular yet critically neglected genre. In addition, he considers the impact of new technologies on a genre focused on physical performance, from the 'wire fu' of Jet Li to the digital 'stars' of console games like Tekken. Films discussed include both popular and cult classics like Game of Death, Fist of Legend, The 36th Chamber of Shaolin, and Drunken Master. |
目次
| 1 | |
| 21 | |
| 48 | |
| 76 | |
Fat Dragons and Drunken Masters Kung Fu Comedy | 99 |
The Lady is the Boss? Hidden Dragons and Deadly China Dolls | 117 |
Last Hero in China? Jet Li and the New Wave Kung Fu Film | 140 |
Transnational Dragons and Asian Weapons Kung Fu and the Hong Kong Diaspora | 157 |
I Know Kung Fu Martial Arts in the Age of Digital Reproduction | 184 |
Kung Fu Reloaded and Updated | 201 |
Notes | 203 |
Filmography | 211 |
Bibliography | 216 |
Index | 224 |
多く使われている語句
aesthetic Asia Asian authenticity body Bordwell Bruce Lee Cantonese Chan's Chen China choreographers Crouching Tiger cult cultural Drunken Master Enter the Dragon fans Feihong fight scenes fighting styles film-makers film's Fist of Fury Fist of Legend Fong Sai-yuk Fu Sheng Game of Death gender genre hero heroic Hollywood Hong Kong action Hong Kong cinema Hong Kong films Huang Hung Hei-kwun Hung's Jackie Chan Japanese Jet Li Jet Li's jianghu kicks Kong's kung fu comedy kung fu film kung fu star Kwan Lau Kar-leung Lee's Leung Manchu martial artists martial arts films masculine Matrix monks myth narrative performance played Quan Rayns role Sammo Hung seems Shaolin films Shaolin Temple Shaw Brothers shifu shot spectacle Street Fighter stunts suggests Swordsman techniques Tekken tradition Tsui Hark villains Western Wing Chun wirework Wong Fei-hung wu dang wu shu wu xia Yuen Biao Yuen Wo-ping
人気のある引用
71 ページ - It often happens that neurotic men declare that they feel there is something uncanny about the female genital organs. This unheimlich place, however, is the entrance to the former Heim [home] of all human beings, to the place where each one of us lived once upon a time and in the beginning.
42 ページ - The authenticity of a thing is the essence of all that is transmissible from its beginning, ranging from its substantive duration to its testimony to the history which it has experienced.
117 ページ - Maxine Hong Kingston, The Woman Warrior: Memoirs of a Girlhood Among Ghosts (New York: Random House, 1975), p.
186 ページ - remediation', the process whereby a medium 'appropriates the techniques, forms and social significance of other media and attempts to rival or refashion them in the name of the real
13 ページ - Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient — dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.
185 ページ - I'm going to show these people what you don't want them to see. I'm going to show them a world without you, a world without rules and controls, without borders or boundaries, a world where anything is possible.
117 ページ - When we Chinese girls listened to the adults talkstory, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen. Even if she had to rage across all China, a swordswoman got even with anybody who hurt her family. Perhaps women were once so dangerous that they had to have their feet bound.
117 ページ - At last I saw that I too had been in the presence of great power, my mother talking-story. After I grew up, I heard the chant of Fa Mu Lan, the girl who took her father's place in battle. Instantly I remembered that as a child I had followed my mother about the house, the two of us singing about how Fa Mu Lan fought gloriously and returned alive from war to settle in the village.
132 ページ - It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. What does not respect borders, positions, rules. The in-between, the ambiguous, the composite.

