Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 ページ |
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... beauty of the poem , but forming an essential element of its classic charm . For the supreme beauty of Lycidas lies partly in the very fact of its conventionality . Its grief is not of the kind that cries aloud ; it soothes and rests us ...
... beauty of the poem , but forming an essential element of its classic charm . For the supreme beauty of Lycidas lies partly in the very fact of its conventionality . Its grief is not of the kind that cries aloud ; it soothes and rests us ...
197 ページ
... beauty in music that one is tempted to use the word " occult " : Bid Amaranthus all his beauty shed . The sudden depth of the image is unexpected ; amaranth is the deathless flower , later to be used by Milton as a symbol of the ...
... beauty in music that one is tempted to use the word " occult " : Bid Amaranthus all his beauty shed . The sudden depth of the image is unexpected ; amaranth is the deathless flower , later to be used by Milton as a symbol of the ...
244 ページ
... beauty of song , and find them in all ways glorious . The poet may now confront , receive , and finally surmount experience , combining pastoral or " pure " beauty with his expression of ex- perienced realities ; for those realities ...
... beauty of song , and find them in all ways glorious . The poet may now confront , receive , and finally surmount experience , combining pastoral or " pure " beauty with his expression of ex- perienced realities ; for those realities ...
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allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing