rished by the frequent interchange of good offices, is perhaps the nearest approximation to happiness attainable in this chequered life.

Such a friendship is beautifully portrayed by Cowper in the following passage in his Poem on Conversation; and it is highly probable that he alludes to his own feelings on this occasion, and to the connexion subsisting between himself and Newton.

True bliss, if man may reach it, is compos'd
Of hearts in union mutually disclos'd;

And, farewell else all hope of pure delight!

Those hearts should be reclaim'd, renew'd, upright:

Bad men, profaning friendship's hallow'd name,
Form, in its stead, a covenant of shame:

*

But souls, that carry on a blest exchange
Of joys they meet with in their heavenly range,
And, with a fearless confidence, make known
The sorrows sympathy esteems its own;
Daily derive increasing light and force

From such communion in their pleasant course,

Feel less the journey's roughness and its length,
Meet their opposers with united strength,
And, one in heart, in interest, and design,
Gird up each other to the race divine.

It is to the friendship and intercourse formed between these two excellent men, that we are indebted for the origin of the Olney hymns. These hymns. are too celebrated in the annals of sacred poetry not to demand special notice in a life of Cowper, who contributed to that collection some of the most beauti

ful and devotional effusions that ever enriched this species of composition. They were the joint production of the divine and the poet, and intended (as the former expressly says in his preface) "as a monument to perpetuate the remembrance of an intimate and endeared friendship." They were subsequently introduced into the parish church of Olney, with the view of raising the tone and character of church psalmody. The old version of Sternhold and Hopkins, previously used and still retained in many of our churches, was considered to be too antiquated in its language, and not sufficiently imbued with the characteristic features of the Gospel dispensation, to be adapted to the advancing spirit of religion. It was to supply this defect that the above work was thus introduced, and the acceptance with which it was received fully justified the expectation. Viewed in this light, it is a kind of epoch in the history of the Established Church. Other communities of Christians had long employed the instrumentality of hymns to embody the feelings of devotion; but our own church had not felt this necessity, or adopted the custom; prejudice had even interposed, in some instances, to resist their introduction, till the right was fully established by the decision of law.* The prejudices of past times are, however, at length rapidly giving way to the wishes and demands of modern piety; and we can now appeal to the versions of a Stewart,

* The Rev. T. Cotterill, formerly of Sheffield, and in much esteem for his piety and usefulness, was the first who established this right by a jndicial proceeding.

a Noel, a Pratt, a Bickersteth, and many others; as a most suitable vehicle for this devotional exercise. The Olney hymns are entitled to the praise of being the precursors of this improved mode of psalmody, being the first, as far as our knowledge extends, that were ever used for public worship.

But, independently of this circumstance, they present far higher claims. They portray the varied emotions of the human heart in its conflicts with sin, and aspirations after holiness. We there contemplate the depression of sorrow and the triumph of hope; the terrors inspired by the law and the confidence awakened by the Gospel; and, what may be considered as the genuine transcript of the poet's own mind, especially in the celebrated hymn, "God moves in a mysterious way," &c., we see depicted, in impressive language, the struggles of a faith trying to penetrate into the dark and mysterious dispensations of God, and at length reposing on his unchangeable faithfulness and love. These sentiments and feelings, so descriptive of the exercises of the soul, find a response in every awakened heart; and the church of Christ will never cease to claim its property in effusions like these till the Christian warfare is ended, and the perceptions of erring reason and sense are exchanged for the bright visions of eternity.

The undertaking commenced about the year 1771, though the collection was not finally completed and published till 1779. The total number contributed by Cowper was sixty-eight hymns. They are distinguished by the initial letter of his name. It was

originally stipulated that each should bear their proportion in this joint labour, till the whole work was accomplished. With this understanding, the pious design was gradually proceeding in its auspicious course, when, by one of those solemn and mysterious dispensations from which neither rank, nor genius, nor moral excellence can claim exemption, it pleased Him whose "way is in the deep," and whose "footsteps are not known," and of whom it is emphatically said, "that clouds and darkness are round about him," though "righteousness and judgment are the habitation of his throne," to suspend the powers of this interesting sufferer and once more to shroud them in darkness.

In contemplating this event, in the peculiarity of its time, character and consequences, well may we exclaim, "Lord, what is man !" and, while the consciousness of the infinite wisdom and mercy of God precludes us from saying, "What doest Thou?” we feel that it must be reserved for eternity to develope the mysterious design of these dispensations.

It was in the year 1773 that this afflicting malady returned. Cowper sunk into such severe paroxysms of religious despondency, that he required an attendant of the most gentle, vigilant, and inflexible spirit. Such an attendant he found in that faithful guardian, whom he had professed to love as a mother, and who watched over him during this long fit of a most depressing malady, extended through several years, with that perfect mixture of tenderness and fortitude which constitutes the cha

racteristic feature of female services. I wish to pass rapidly over this calamitous period, and shall only observe that nothing could surpass the sufferings of the patient or excel the care of the nurse. Her unremitting attentions received the most delightful of rewards in seeing the pure and powerful mind, to whose restoration she had so greatly contributed, not only gradually restored to the common enjoyments of life, but successively endowed with new and marvellous funds of diversified talents, and a vigorous application of them.

The spirit of Cowper emerged by slow degrees from its deep dejection; and, before his mind was sufficiently recovered to employ itself on literary composition, it sought and found much relief and amusement in domesticating a little group of hares. On his expressing a wish to divert himself by rear. ing a single leveret, the good-nature of his neighbours supplied him with three. The variety of their dispositions became a source of great entertainment to his compassionate and contemplative spirit. One of the trio he has celebrated in the Task, and a very animated and minute account of this singular family, humanized, and described most admirably by himself in prose, appeared first in the Gentleman's Magazine, and has been recently inserted in the second volume of his poems. These interesting animals had not only the honour of being cherished and celebrated by a poet, but the pencil has also contributed to their renown.

His three tame hares, Mrs. Unwin, and Mr. Newton, were, for a considerable time, the only com