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Spell-bound in her ivory chair,
That her angry sire, repenting,
Craved stern Merlin for relenting,
And the champions, for her sake,
Would again the contest wake;
Till, in necromantic night,
Gyneth vanish'd from their sight.

XXVIII.

"Still she bears her weird alone,
In the Valley of Saint John;
And her semblance oft will seem,
Mingling in a champion's dream,
Of her weary lot to plain,

And crave his aid to burst her chain.
While her wondrous tale was new,
Warriors to her rescue drew,

East and west, and south and north,
From the Liffy, Thames, and Forth.
Most have sought in vain the glen,
Tower nor castle could they ken?
Not at every time or tide,
Nor by every eye, descried.
Fast and vigil must be borne,
Many a night in watching worn,
Ere an eye of mortal powers
Can discern those magic towers.
Of the persevering few,

Some from hopeless task withdrew,
When they read the dismal threat

Graved upon the gloomy gate.
Few have braved the yawning door,
And those few return'd no more.
In the lapse of time forgot,
Wellnigh lost is Gyneth's lot;
Sound her sleep as in the tomb,
Till waken'd by the trump of doom."

END OF LYULPH'S TALE.

Here pause, my tale; for all too soon,
My Lucy, comes the hour of noon.
Already from thy lofty dome
Its courtly inmates 'gin to roam,
And each, to kill the goodly day
That God has granted them, his way
Of lazy sauntering has sought;

Lordlings and witlings not a few,
Incapable of doing aught,

Yet ill at ease with nought to do.
Here is no longer place for me;
For, Lucy, thou wouldst blush to see
Some phantom, fashionably thin,
With limb of lath and kerchief'd chin,
And lounging gape, or sneering grin,
Steal sudden on our privacy.
And how should I, so humbly born,
Endure the graceful spectre's scorn?
Faith! ill, I fear, while conjuring wand
Of English oak is hard at hand.

II.

Or grant the hour be all too soon
For Hessian boot and pantaloon,
And grant the lounger seldom strays
Beyond the smooth and gravell❜d maze,
Laud we the gods, that Fashion's train

Holds hearts of more adventurous strain.
Artists are hers, who scorn to trace
Their rules from Nature's boundless grace,
But their right paramount assert
To limit her by pedant art,
Damnning whate'er of vast and fair
Exceeds a canvass three feet square.
This thicket, for their gumption fit,
May furnish such a happy bit.
Bards, too, are hers, wont to recite
Their own sweet lays by waxen light,
Half in the salver's tingle drown'd,
While the chasse-café glides around;
And such may hither secret stray,
To labour an extempore:

Or sportsman, with his boisterous hollo,
May here his wiser spaniel follow,
Or stage-struck Juliet may presume
To choose this bower for tiring-room;
And we alike must shun regard,
From painter, player, sportsman, bard.
Insects that skim in Fashion's sky,
Wasp, blue-bottle, or butterfly,
Lucy, have all alarms for us,

For all can hum and all can buzz.

III.

But oh, my Lucy, say how long

We still must dread this trifling throng,

And stoop to hide, with coward art,

The genuine feelings of the heart!
No parents thine, whose just command
Should rule their child's obedient hand;
Thy guardians, with contending voice,
Press each his individual choice.
And which is Lucy's?-Can it be
That puny fop, trimm'd cap-a-pee,
Who loves in the saloon to show
The arms that never knew a foe;
Whose sabre trails along the ground,
Whose legs in shapeless boots are drown'd;
A new Achilles, sure, the steel

Fled from his breast to fence his heel;

One, for the simple manly grace

That wont to deck our martial race,

Who comes in foreign trashery
Of tinkling chain and spur,

A walking haberdashery,
Of feathers, lace and fur:
In Rowley's antiquated phrase,
Horse-milliner1 of modern days?

IV.

Or is it he, the wordy youth,

So early train'd for statesman's part,
Who talks of honour, faith, and truth,
As themes that he has got by heart;

1" The trammels of the palfraye pleased his sight,
And the horse-millanere his head with roses dight."
ROWLEY'S Ballads of Charitie

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