Islands of Eight Million Smiles: Idol Performance and Symbolic Production in Contemporary JapanHarvard University Asia Center, 2005 - 290 ページ Since the late 1960s a ubiquitous feature of popular culture in Japan has been the "idol," an attractive young actor, male or female, packaged and promoted as an adolescent role model and exploited by the entertainment, fashion, cosmetic, and publishing industries to market trendy products. This book offers ethnographic case studies regarding the symbolic qualities of idols and how these qualities relate to the conceptualization of selfhood among adolescents in Japan and elsewhere in East Asia. The author explores how the idol-manufacturing industry absorbs young people into its system of production, molds them into marketable personalities, commercializes their images, and contributes to the construction of ideal images of the adolescent self. Since the relationship between the idols and their consumers is dynamic, the study focuses on the fans of idols as well. Ultimately, Aoyagi argues, idol performances substantiate capitalist values in the urban consumer society of contemporary Japan and East Asia. Regardless of how crude their performances may appear in the eyes of critics, the idols have helped establish the entertainment industry as an agent of public socialization by driving public desires toward the consumption of commoditized fantasies. |
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... Kinsella 1995 : 220 ) , and thereby participate in the creation of a utopia in an affluent environment where people could remain forever " young , " “ playful , ” “ childlike , ” and thus “ liberated from the filthy world of adult ...
... ( Kinsella 1995 : 224 , 225 ) Thus , Kinsella acknowledges the contribution that chubby hand- writing and noripiigo made to the construction of popular culture at large . Kinsella further suggests that chubby handwriting and noripiigo ...
... Kinsella ( 1998 , 2000 ) traced the trajectory of amateur comic fans or manga otaku in Japan , arguing that they had ... ( Kinsella 1998 : 294 , 295 ) . Kinsella applies the notion of " shadow cultural economy , " an analytical 206 Idol ...