Shakespeare, National Poet-PlaywrightCambridge University Press, 2004/11/25 - 319 ページ Shakespeare, National Poet-Playwright is an important new book which reassesses Shakespeare as a poet and dramatist. Patrick Cheney contests critical preoccupation with Shakespeare as 'a man of the theatre' by recovering his original standing as an early modern author: he is a working dramatist who composes some of the most extraordinary poems in English. Cheney traces the literary origin to Shakespeare's favourite author, Ovid. The book concentrates on Shakespeare's freestanding poems, but makes frequent reference to the plays, and ranges widely through the work of other Renaissance writers. |
他の版 - すべて表示
多く使われている語句
actor aesthetics Amores authorship Burrow Cambridge Companion Cambridge University Press Cheney Chicago Christopher Marlowe Clarendon Colin comedy Critical Essays cultural discourse drama dramatist Dubrow Duncan-Jones early modern edition elegy Elizabethan England English erotic Faerie Queene fiction figure genre Grazia Hamlet Hero and Leander intertextuality Jaggard John Jonson Kerrigan Kolin literary career London Love's Labor's Lost Love's Martyr Lover's Complaint Lucan Lucrece's lyric Malone Marlovian Marlowe's Metamorphoses minor epic myth Narrative Poems Orpheus Ovid Ovid's Oxford Passionate Pilgrim pastoral Petrarch Philomela Phoenix and Turtle Plays and Poems playwright poems and plays poet poetic poetry and theatre political presents Rape of Lucrece Renaissance representation Richard Riverside Rollins Roman sexual Shakespeare Criticism Shakespeare's poems Shakespeare's Sonnets sing song Sonnet 15 Sonnets and Poems Spenser Spenserian stage stanza Tarquin theatrical tragedy Troy Variorum Venus and Adonis verse Virgil Virgilian voice William Shakespeare writing