Progressive Fifth Elocutionary ReaderSanborn, Carter, Bazin & Company, 1857 |
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... Stress , · SENTENCES , Series , 43 Conditional Sentences , 44-46 Interrogative Sentences , EMPHASIS , 51-53 Exclamations and Interjections , General Divisions , 53 ANTITHETIC EMPHASIS , Superior and Inferior , . 54 , 55 Words Contrasted ...
... Stress , · SENTENCES , Series , 43 Conditional Sentences , 44-46 Interrogative Sentences , EMPHASIS , 51-53 Exclamations and Interjections , General Divisions , 53 ANTITHETIC EMPHASIS , Superior and Inferior , . 54 , 55 Words Contrasted ...
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... Stress , Movement , 145 Quality of the Voice , 150 146 Exercises for Cultivating the 147 Voice , 151-154 147 TRANSITION , 198-201 148 PERSONATION , 202 149 Rhetorical Dialogue , 205 149 RHETORICAL PAUSES , etc. , 207-209 CHAPTER VII ...
... Stress , Movement , 145 Quality of the Voice , 150 146 Exercises for Cultivating the 147 Voice , 151-154 147 TRANSITION , 198-201 148 PERSONATION , 202 149 Rhetorical Dialogue , 205 149 RHETORICAL PAUSES , etc. , 207-209 CHAPTER VII ...
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... stress in pro- nouncing them . 1. Quantity , with reference to the relative prolongation of sound in the utterance of successive syllables , is either long or short ; as in the word hy - pō - thět ' - ic - ăl - ly . This is commonly ...
... stress in pro- nouncing them . 1. Quantity , with reference to the relative prolongation of sound in the utterance of successive syllables , is either long or short ; as in the word hy - pō - thět ' - ic - ăl - ly . This is commonly ...
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... Stress . Quantity in relation to stress , denotes the location of the greatest force of voice on the vowel sound of accented syllables ; and regards it as more intense at the beginning , middle , or end , or at more than one of these ...
... Stress . Quantity in relation to stress , denotes the location of the greatest force of voice on the vowel sound of accented syllables ; and regards it as more intense at the beginning , middle , or end , or at more than one of these ...
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... stress is employed in the utterance of language ex- pressive of ill - humor ; as of fretful impatience , peevishness ... stress ? Give an example . What is the final stress ? Give an example . What language requires the final stress ...
... stress is employed in the utterance of language ex- pressive of ill - humor ; as of fretful impatience , peevishness ... stress ? Give an example . What is the final stress ? Give an example . What language requires the final stress ...
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多く使われている語句
accented syllable affirmative Amphibrach anapestic ancient articulation aspirates beauty behold blank-verse blessings born bright Cæsar called character circumflex clause consists Dactylic darkness death decemvir deep Demosthenes denote direct question earth elementary sounds elements eloquence emotions emphasis emphatic series epic poetry eternal EXERCISE expressed falling inflection father feel feet genius Give an example glory grave hand happy hast hath heard heart heaven honor iambic iambus Julius Cæsar kind labor land language LESSON letters liberty long syllable Lord mark measure ment Metonymy mighty mind never NOTE o'er object open vowels passion pause poetic poetic feet poetry Precep pronouncing pupil quantity requires rising inflection Roman Rome rule sentence sentiment Socrates sometimes soul speak spirit spondee stars stress sub-vocals Synecdoche tence thee thine thou art thought tion tribrach trochaic trochee utterance verse virtue voice vowel sound youth
人気のある引用
274 ページ - I have lived, Sir, a long time, and the longer I live, the more convincing proofs I see of this truth — that God governs in the affairs of men. And if a sparrow cannot fall to the ground without his notice, is it probable that an empire can rise without his aid? We have been assured, Sir, in the sacred writings, that " except the Lord build the house they labor in vain that build it.
479 ページ - Form! Risest from forth thy silent sea of pines, How silently! Around thee and above Deep is the air and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity! 0 dread and silent Mount! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought : entranced in prayer 1 worshipped the Invisible alone.
274 ページ - I firmly believe this; and I also believe that without his concurring aid, we shall succeed in this political building no better than the builders of Babel...
470 ページ - And spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help: Go to, then; you come to me, and you say 'Shylock, we would have moneys...
223 ページ - Saviour comes ! by ancient bards foretold ! Hear Him, ye deaf; and all ye blind, behold ! He from thick films shall purge the visual ray, And on the sightless eyeball pour the day: 'Tis he the obstructed paths of sound shall clear, And bid new music charm th' unfolding ear: The dumb shall sing, the lame his crutch forego, And leap exulting, like the bounding roe.
470 ページ - Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances : Still have I borne it with a patient shrug, For sufferance is the badge of all our tribe. You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own.
235 ページ - BRIGHTEST and best of the sons of the morning, Dawn on our darkness and lend us thine aid; Star of the east, the horizon adorning, Guide where our infant Redeemer is laid.
339 ページ - In all my wanderings round this world of care, In all my griefs - and God has given my share I still had hopes my latest hours to crown, Amidst these humble bowers to lay me down; To husband out life's taper at the close, And keep the flame from wasting by repose.
201 ページ - Revenge, revenge, Timotheus cries, See the furies arise ! See the snakes that they rear How they hiss in their hair, And the sparkles that flash from their eyes!
480 ページ - Ye Ice-falls! ye that from the mountain's brow Adown enormous ravines slope amain Torrents, methinks, that heard a mighty voice, And stopped at once amid their maddest plunge! Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet? GOD! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, GOD!