A wizard, of such dreaded fame, The bells would ring in Notre Dame !2 The words that cleft Eildon hills in three," And bridled the Tweed with a curb of stone: But to speak them were a deadly sin; And for having but thought them my heart within, A treble penance must be done. XIV. "When Michael lay on his dying bed, He bethought him of his sinful deed, XV. "I swore to bury his Mighty Book, I buried him on St. Michael's night, When the bell toll'd one, and the moon was bright, And I dug his chamber among the dead, XVII. "Lo, Warrior! now, the Cross of Red To chase the spirits that love the night: Slow moved the Monk to the broad flag-stone, He pointed to a secret nook; An iron bar the Warrior took ;3 And the Monk made a sign with his wither'd hand The grave's huge portal to expand. XVIII. With beating heart to the task he went; Till the toil-drops fell from his brows, like rain That he moved the massy stone at length. I would you had been there, to see Show'd the Monk's cowl, and visage pale, ΧΙΧ. Before their eyes the Wizard lay, Like a pilgrim from beyond the sea: His left hand held his Book of Might; A silver cross was in his right; The lamp was placed beside his knee. High and majestic was his look, At which the fellest fiends had shook, And all unruffled was his face: They trusted his soul had gotten grace. XX. Often had William of Deloraine And neither known remorse nor awe; he had loved with brotherly affection-the horror of Deloraine, and his belief that the corpse frowned, as he withdrew the magic volume from its grasp, are, in a succeeding part of the narrative, circumstances not more happily conceived than exquisitely wrought."-Critical Review For, at a word, be it understood, XIII. He led the boy o'er bank and fell, Until they came to a woodland brook; The running stream dissolved the spell,1 And his own elvish shape he took. So he but scowl'd on the startled child, XIV. Full sore amazed at the wondrous change, And when at length, with trembling pace, Glare from some thicket on his way. XV. And hark! and hark! the deep-mouthed bark Bursts on the path a dark blood-hound, And his red eye shot fire. I ween you would have seen with joy His wet check glow'd 'twixt fear and ire! 1 See Appendix, Note 2 0. At cautious distance hoarsely bay'd, But still in act to spring; When dash'd an archer through the glade, And when he saw the hound was stay'd, He drew his tough bow-string; But a rough voice cried, "Shoot not, hoy! Ho! shoot not, Edward-Tis a boy!" XVI. The speaker issued from the wood, Well could he hit a fallow-deer Five hundred feet him fro; With hand more true, and eye more clear, No archer bended bow. His coal black hair, shorn round and close, Old England's sign, St. George's cross, All in a wolf-skin baldric tied; XVII. His kirtle, made of forest green, Reach'd scantly to his knee; A furbish'd sheaf bore he; He never counted him a man, Would strike below the knee :2 His slacken'd bow was in his hand, And the leash, that was his blood-hound's band XVIII. He would not do the fair child harm, XIX. "Yes! I am come of high degree, For I am the heir of bold Buccleuch; And if thou dost not set me free, False Southron, thou shalt dearly rue! For Walter of Harden shall come with speed, Sea Appendix, Note 2 P And William of Deloraine, good at need, I have thee hang'd to feed the crow!" XX. Gramercy, for thy good-will, fair boy! And ever comest to thy command, Our wardens had need to keep good order; My bow of yew to a hazel wand, Thou'lt make them work upon the Border. Meantime be pleased to come with me, For good Lord Dacre shalt thou see; I think our work is well begun, When we have taken thy father's son." XXI. Although the child was led away, XXIL Well I ween the charm he held Had done the bold moss-trooper wrong; 1 Bandelier, belt for carrying ammunition. Hackbuteer, musketeer. See Appendix, Note 2 Q. XXIII She drew the splinter from the wound, XXIV. So pass'd the day-the evening fell, XXV. Is yon the star, o'er Penchryst Pen, Scarce could she draw her tighten'd breath, XXVI. The Warder view'd it blazing strong, "As another illustration of the prodigious improvement which the style of the old romance is capable of receiving from a more liberal admixture of pathetic sentiments and gentle affections, we insert the following passage [Stanzas xxiv. to xxvii.], where the effect of the picture is finely assisted by the contrast of its two compartments." -JEFFREY. Each from each the signal caught; That all should bowne them for the Border. XXX. The livelong night in Branksome rang XXXI. The noble Dame, amid the broil, Cheer'd the young knights, and council sage Some said, that there were thousands ten; Might drive them lightly back agen. CEASED the high sound-the listening throng 5 Need-fire, beacon. Tarn, a mountain lake. Earn, a Scottish eagle. 8 See Appendix, Note 2 U. Bowne, make ready. 10 Protection money exacted by freebooters. No son to be his father's stay, The Lay of the Last Minstrel. CANTO FOURTH. I. SWEET Teviot! on thy silver tide The glaring bale-fires blaze no more, No longer steel-clad warriors ride Along thy wild and willow'd shore;" Where'er thou wind'st, by dale or hill, All, all is peaceful, all is still, As if thy waves, since Time was born, Since first they roll'd upon the Tweed, Had only heard the shepherd's reed, Nor started at the bugle-horn. II. Unlike the tide of human time, Which, though it change in ceaseless flow, Retains each grief, retains each crime Its earliest course was doom'd to know; Low as that tide has ebb'd with me, Fell by the side of great Dundee." 1"Nothing can excel the simple concise pathos of the close of this Canto-nor the touching picture of the Bard when, with assumed business, he tries to conceal real sorrow. How well the poet understands the art of contrast-and how judiciously it is exerted in the exordium of the next Canto, where our mourning sympathy is exchanged for the thrill of pleasure!"-ANNA SEWARD. "What luxury of sound in this line!"--ANNA SEWARD. Orig." Since first they rolled their way to Tweed." 4 The Viscount of Dundee, slain in the battle of Killicrankie. 5 "Some of the most interesting passages of the poem are those in which the author drops the business of his story to moralize, and apply to his own situation the images and reflections it has suggested. After concluding one Canto with an account of the warlike array which was prepared for the reception of the English invaders, he opens the succeeding one with the following beautiful verses, (Stanzas i. and ii.) "There are several other detached passages of equal beauty,e No one will dissent from this, who reads, in particular, the first two and heart-glowing stanzas of Canto VI.-now, by association of the past, en lered the more affecting -ED Why, when the volleying musket play'd III. Now over Border, dale and fell, The peasant left his lowly shed." The frighten'd flocks and herds were pent Beneath the peel's rude battlement; And maids and matrons dropp'd the tear, While ready warriors seized the spear. From Branksome's towers, the watchman's eye Dun wreaths of distant smoke can spy, Which, curling in the rising sun, Show'd southern ravage was begun.R IV. Now loud the heedful gate-ward cried'Prepare ye all for blows and blood: Watt Tinlinn, from the Liddel-side, Comes wading through the flood.” Full oft the Tynedale snatchers knock At his lone gate, and prove the lock; It was but last St. Barnabright They sieged him a whole summer night, But fled at morning: well they knew, In vain he never twang'd the yew. Right sharp has been the evening shower, That drove him from his Liddel tower; And, by my faith," the gate-ward said, "I think 'twill prove a Warden-Raid."" 10" And when they cam to Branksome ha', Till up and spak him auld Buccleuch, 11 An inroad commanded by the Warden in person. 12"The dawn displays the smoke of ravaged fields, and shepherds, with their flocks, flying before the storm. Tidings brought by a tenant of the family, not used to seek a shelter on light occasions of alarm, disclose the strength and object of the invaders. This man is a character of a lower and of a rougher cast than Deloraine. The portrait of the rude retainer is sketched with the same masterly hand. Here, again, Mr. Scott has trod in the footsteps of the old romancers, whe |