Wagner and SuicideMcFarland, 2010/06/25 - 203 ページ Composer Richard Wagner (1813-1883) likely suffered from a manic-depressive disorder but in his time very little was known about mental illness, and suicide was not a topic for general discussion. Wagner was often plagued by extreme mood swings; he used his operas, especially the librettos, to express himself and his personal difficulties. This investigation of the suicidal themes in Wagner's life and operas--Die Fliegender Hollander, Tannhauser, Lohengrin, Tristan und Isolde, Die Meistersinger, the Ring cycle, and Parsifal--shows how manic-depressive illness, particularly the depressive part of it, affected Wagner's life and art. It also analyzes the influence of Giambattista Vico's theories of cycles (and how these theories appeared in Wagner's work), suicide as a theatrical and operatic phenomenon, and the way in which the theme of suicide has appeared in other works of the literary and performing arts. |
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... desire to travel , and about his desire to commit suicide . On May 30 , 1853 , Wagner wrote to Liszt in a similar vein : Dearest friend , have you not yet had enough of Weimar ? I must own that I frequently grieve to see how you waste ...
... desire to sleep , to sleep , is his temptation to that eternal sleep which is death . Here again , the suicidal fantasy mixes freely with the love that Wagner clearly feels for Liszt . On December 16 , 1854 , Wagner wrote in a 1 ...
... desire of life , which otherwise I should not under- stand [ Wagner / Liszt 271 ] . Here too Wagner describes a suicidal depression , and here too his letters to Liszt have a homoerotic tone . Liszt and Mathilde Wesendonck were not the ...
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目次
7 | |
Der Fliegende Hollander The Isolated Personality | 21 |
Tannhauser The Artistic Personality and Suicide | 37 |
Lohengrin The Dream Persona from Another World | 55 |
Tristan und Isolde Suicide as the Best Alternative | 73 |
Die Meistersinger von Nurnberg Mania and Reconciliation | 94 |
The Ring Cycle Suicide as Threat and Triumph | 111 |
Parsifal Beyond Polarity | 148 |
Suicide in Opera and Drama | 165 |
Wagner the Decadents and the Modern British Novel | 172 |
Conclusion | 182 |
187 | |
193 | |