The Global Music Industry: Three PerspectivesRoutledge, 2007 - 292 ページ For everyone in the music industry--record labels, managers, music publishers, and the performers themselves--it is important to understand the world music marketplace and how it functions. Yet remarkably little has been written about the music business outside of the U.S. The Global Music Industry: Three Perspectives gives a concise overview of the issues facing everyone in the international music industry. Designed for an introductory course on music business, the book begins with an introduction to the field around the world, then focuses on global issues by region, from bootlegging and copyright to censorship and government support. It will be a standard resource for students, professionals, and musicians.
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Africa album artists Asia Asian audience band Belgium broadcast C-POP Canadian Cantopop cassette censorship China collection societies concert countries cultural currently digital music distribution domestic repertoire downloading entertainment Europe European Union festivals film France genres Hong Kong IFPI independent labels India IndiPop Internet J-POP Japan Japanese music jazz K-POP language major labels market share Mexican million mobile phones music business music industry music market music publishing musical styles musicians operate organization percent performing rights piracy pirated play pop music popular music programs promotion radio stations rap music record business record companies record labels record sales Recording Industry regional retail rock royalties sell Singapore singers sold songs songwriters Sony Sony BMG Soribada South Korea Spain studio Taiwan television tion tour United Kingdom venues world music York