The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, 第 4 巻Little, Brown, 1857 |
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... passages in that curious work which show that in his Puck Shakespeare faithfully reproduced the characteristic traits of ... passage from Whetstone's Honourable Reputation of a Souldier , published in 1586 , in which Robin Goodfellow is ...
... passages in that curious work which show that in his Puck Shakespeare faithfully reproduced the characteristic traits of ... passage from Whetstone's Honourable Reputation of a Souldier , published in 1586 , in which Robin Goodfellow is ...
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... passage , not only that the fash- ions of the nursery have changed but little in three centuries , but that Robin Goodfellow was something more than a mis- chievous " merry wanderer of the night , " stories about whom would rather amuse ...
... passage , not only that the fash- ions of the nursery have changed but little in three centuries , but that Robin Goodfellow was something more than a mis- chievous " merry wanderer of the night , " stories about whom would rather amuse ...
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... passage quoted by Warton from Harsnet's Declaration of Egregious Popish Impos- tures , & c . But as Harsnet's book was not published until 1603 , three years after Shakespeare's play was printed , and nine after it was written , it is ...
... passage quoted by Warton from Harsnet's Declaration of Egregious Popish Impos- tures , & c . But as Harsnet's book was not published until 1603 , three years after Shakespeare's play was printed , and nine after it was written , it is ...
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... passage in his Introduction to the edition of the Mad Pranks , published by the Percy Society : — ་ " There is no doubt that Robin Goodfellow his mad Prankes and merry Jests ' was first printed before 1588. Tarlton , the celebrated ...
... passage in his Introduction to the edition of the Mad Pranks , published by the Percy Society : — ་ " There is no doubt that Robin Goodfellow his mad Prankes and merry Jests ' was first printed before 1588. Tarlton , the celebrated ...
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... passages in it were quite surely written in 1594 - the play having most probably been pro- duced some years before , and at that time augmented and partly rewritten . Now , the style of the Merry Pranks is not that of a time previous to ...
... passages in it were quite surely written in 1594 - the play having most probably been pro- duced some years before , and at that time augmented and partly rewritten . Now , the style of the Merry Pranks is not that of a time previous to ...
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Antonio Baptista Bass Bassanio Bian Bianca Bion Biondello bond Collier's folio comedy daughter Demetrius doth ducats Duke Enter Exeunt Exit eyes fair fairy father Folio and quartos fool gentle give Gratiano Gremio hath hear heart Helena Hermia Hippolyta honour Hortensio Jaques Jessica Kate Kath KATHARINA lady Laun Launcelot look lord Lorenzo Love's Labour's Lost lover Lucentio Lysander maid marry master means Merchant of Venice merry misprint mistress moon Nerissa never night Oberon original Orlando Padua passage Petruchio Philostrate play Portia pray Puck Pyramus quartos Quin Robin Goodfellow Rosalind SCENE second folio Shakespeare's Shakespeare's day shew shrew Shylock Signior sleep speak Steevens swear sweet tell thee Theseus thing Titania Touch Tranio unto Venice Vincentio word
人気のある引用
26 ページ - Swift as a shadow, short as any dream; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say 'Behold!
37 ページ - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath That the rude sea grew civil at her song, And certain stars shot madly from their spheres To hear the sea-maid's music.
310 ページ - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
227 ページ - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
76 ページ - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was.
309 ページ - All the world's a stage, And all the men and women merely players. They have their exits, and their entrances ; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms...
356 ページ - It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding : Sweet lovers love the spring.
188 ページ - If a Jew wrong a Christian, what is his humility? revenge: if a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villany you teach me I will execute; and it shall go hard but I will better the instruction.
309 ページ - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
292 ページ - The seasons' difference, — as, the icy fang And churlish chiding of the Winter's wind, (Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, This is no flattery,) — these are counsellors That feelingly persuade me what I am.