Byron and RomanticismCambridge University Press, 2002/08/15 - 311 ページ This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
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2 ページ
... course all exhibit a " turn to history , ” a turn taken in the essays and exhibited in the series ' books . But the latter engage a much more vari- ous socio - cultural order of materials than the essays do . An objective re- porter ...
... course all exhibit a " turn to history , ” a turn taken in the essays and exhibited in the series ' books . But the latter engage a much more vari- ous socio - cultural order of materials than the essays do . An objective re- porter ...
5 ページ
... course been fairly widespread in the academy since the early 1960s at least , and it would grow more acute during the 1970s and 1980s . The perspective did not develop robust historicist forms and methods until the 1980s and 1990s ...
... course been fairly widespread in the academy since the early 1960s at least , and it would grow more acute during the 1970s and 1980s . The perspective did not develop robust historicist forms and methods until the 1980s and 1990s ...
8 ページ
... course it isn't at all idiotic to generalize - unless you're an artist ! But from the artistic point of view , works of culture will always be regarded with suspicion . For works of culture do and must aspire to general authority , and ...
... course it isn't at all idiotic to generalize - unless you're an artist ! But from the artistic point of view , works of culture will always be regarded with suspicion . For works of culture do and must aspire to general authority , and ...
10 ページ
... course it might be objected that I am merely pointing out how we distinguish an abstract or ideal " form " in all forms of thought , and hence that Aesthetic Form is merely a way of referring to that entity ( what Aristotle called the ...
... course it might be objected that I am merely pointing out how we distinguish an abstract or ideal " form " in all forms of thought , and hence that Aesthetic Form is merely a way of referring to that entity ( what Aristotle called the ...
15 ページ
... course refers to the justly celebrated essay by M. H. Abrams . 9 For a fuller exploration of this important feature of Byron's work see below , chapter 9 . PART I CHAPTER I Milton and Byron I am too General analytical and historical ...
... course refers to the justly celebrated essay by M. H. Abrams . 9 For a fuller exploration of this important feature of Byron's work see below , chapter 9 . PART I CHAPTER I Milton and Byron I am too General analytical and historical ...
目次
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
多く使われている語句
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
人気のある引用
13 ページ - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...