Byron and RomanticismCambridge University Press, 2002/08/15 - 311 ページ This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
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... finally , that at certain critical historical moments the only theory that could serve as such would have to be some kind of particular , goal - driven practice.2 When I began my work as a scholar , Byron and editing were both marginal ...
... finally , that at certain critical historical moments the only theory that could serve as such would have to be some kind of particular , goal - driven practice.2 When I began my work as a scholar , Byron and editing were both marginal ...
6 ページ
... finally misleading . The aspira- tion should rather be toward thoroughness , clarity , candor . Being clear , open , and as meticulous as possible are goals exactly as problematic as being correct and complete . They are goals , however ...
... finally misleading . The aspira- tion should rather be toward thoroughness , clarity , candor . Being clear , open , and as meticulous as possible are goals exactly as problematic as being correct and complete . They are goals , however ...
14 ページ
... Finally , I must say something about the essays ' critical style and proce- dures , which seem to me a function of their general subject – Byron and Romanticism . I've already noted how unlike these essays are compared to the typical ...
... Finally , I must say something about the essays ' critical style and proce- dures , which seem to me a function of their general subject – Byron and Romanticism . I've already noted how unlike these essays are compared to the typical ...
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目次
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
多く使われている語句
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
人気のある引用
13 ページ - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...