ACT III. SCENE I. A Plain in Syria. Enter VENTIDIUS, as it were in triumph, with SILIUS, and other Romans, Officers, and Soldiers; the dead Body of PACORUS borne before him. Ven. Now, darting Parthia, art thou struck; and now Pleas'd fortune does of Marcus Crassus' death Make me revenger.-Bear the king's son's body Pays this for Marcus Crassus. Sil. Noble Ventidius', Whilst yet with Parthian blood thy sword is warm, The routed fly: so thy grand captain, Antony, Shall set thee on triumphant chariots, and O Silius, Silius! Ven. More in their officer, than person: Sossius, Which he achiev'd by the minute, lost his favour. Noble VENTIDIUS,] In the prefixes of the old copies, Silius is only called Roman, and his name is not mentioned in the introductory stage-direction. Becomes his captain's captain; and ambition, The soldier's virtue, rather makes choice of loss, I could do more to do Antonius good, But 'twould offend him; and in his offence Should my performance perish. Sil. Thou hast, Ventidius, that Without the which a soldier, and his sword, Grants scarce distinction. Thou wilt write to Antony? That magical word of war, we have effected; We have jaded out o' the field. Sil. Where is he now? Ven. He purposeth to Athens; whither, with what haste The weight we must convey with us will permit, We shall appear before him.-On, there; pass along. [Exeunt. SCENE II. Roine. An Ante-Chamber in CAESAR'S House. Enter AGRIPPA, and ENOBARBUS, meeting. Agr. What are the brothers parted? Eno. They have despatch'd with Pompey: he is gone; The other three are sealing. Octavia weeps Το part from Rome; Cæsar is sad; and Lepidus, Agr. Eno. A very fine one. "Tis a noble Lepidus. O, how he loves Cæsar! Agr. Nay, but how dearly he adores Mark Antony! Eno. Would you praise Cæsar, say,—Cæsar;—go no farther. Agr. Indeed, he ply'd them both with excellent praises. Eno. But he loves Cæsar best;-yet he loves Antony. Ho! hearts, tongues, figures, scribes, bards, poets cannot Think, speak, cast, write, sing, number, ho! His love to Antony. But as for Cæsar, Kneel down, kneel down, and wonder. Agr. Both he loves. Eno. They are his shards, and he their beetle'. So, This is to horse.-Adieu, noble Agrippa. [Trumpets. Agr. Good fortune, worthy soldier; and farewell. Enter CESAR, ANTONY, LEPIDUS, and OCTAVIA. Ant. No farther, sir. Cæs. You take from me a great part of myself; As my thoughts make thee, and as my farthest band To keep it builded, be the ram to batter Have loved without this mean, if on both parts They are his SHARDS, and he their BEETLE.] i.e. (says Steevens) "they are the wings that raise this heary lumpish insect from the ground." See the explanation of "shard,” in connection with "beetle," in "Macbeth," Vol. vii. p. 140, note 1. Though you be therein curious, the least cause Cæs. Farewell, my dearest sister, fare thee well: Octa. My noble brother!— Ant. The April's in her eyes; it is love's spring, And these the showers to bring it on.-Be cheerful. Octa. Sir, look well to my husband's house; and— Cæs. What, Octavia? Octa. I'll tell you in your ear. Ant. Her tongue will not obey her heart, nor can Her heart inform her tongue; the swan's down feather, That stands upon the swell at the full of tide, And neither way inclines. Eno. Will Cæsar weep? [Aside to AGRIPPA. Agr. He has a cloud in's face. Eno. He were the worse for that, were he a horse; So is he, being a man. Why, Enobarbus, Agr. He cried almost to roaring; and he wept, When at Philippi he found Brutus slain. Eno. That year, indeed, he was troubled with a rheum; What willingly he did confound, he wail'd: Believe 't, till I weep too. Cæs. No, sweet Octavia, You shall hear from me still: the time shall not Out-go my thinking on you. Ant. Come, sir, come; I'll wrestle with you in my strength of love: And give you to the gods. Cæs. Adieu; be happy! Lep. Let all the number of the stars give light Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS. Cleo. Where is the fellow? Alex. Half afeard to come. Cleo. Go to, go to.-Come hither, sir. Alex. Enter a Messenger. Good majesty, Herod of Jewry dare not look upon you, Cleo. That Herod's head I'll have but how, when Antony is gone Through whom I might command it?-Come thou near. Mess. Most gracious majesty, Cleo. Octavia? Mess. Ay, dread queen. Cleo. Mess. Didst thou behold Where? Madam, in Rome I look'd her in the face; and saw her led |