Shakespeare's Roman WorldsRoutledge, 1989 - 243 ページ Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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... seen as a play belonging to or embodying various genres : a tragedy in the mould of Hamlet , Othello , King Lear or Macbeth ; a revenge tragedy belonging to the clearly identifiable strain emanating from Kyd's Spanish Tragedy ; a Roman ...
... seen as a play belonging to or embodying various genres : a tragedy in the mould of Hamlet , Othello , King Lear or Macbeth ; a revenge tragedy belonging to the clearly identifiable strain emanating from Kyd's Spanish Tragedy ; a Roman ...
89 ページ
... seen on the stage . Shakespeare's audience has seen only the anguished Brutus who , drawn into the conspiracy , struggles to justify the assassination to himself by creating a mental formu- lation which will assuage his conscience . His ...
... seen on the stage . Shakespeare's audience has seen only the anguished Brutus who , drawn into the conspiracy , struggles to justify the assassination to himself by creating a mental formu- lation which will assuage his conscience . His ...
90 ページ
... seen Cassius . pleading for Brutus ' love and never quite getting it . All we see of his relationship with Titinius , earlier in V.iii , is two men simply working together , making no parade of their friendship . The revelation of the ...
... seen Cassius . pleading for Brutus ' love and never quite getting it . All we see of his relationship with Titinius , earlier in V.iii , is two men simply working together , making no parade of their friendship . The revelation of the ...
目次
IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
著作権 | |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds