The Art of Masonry in BritainOffices of the Stone Trades Journal, 1904 - 105 ページ |
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... architect designer . or - We , the heirs of the man who built the pyramids and the Parthenon , can boast of a proud inheritance indeed . Ages have come and gone , but the marks of the mason's chisel there are not obliterated , and the ...
... architect designer . or - We , the heirs of the man who built the pyramids and the Parthenon , can boast of a proud inheritance indeed . Ages have come and gone , but the marks of the mason's chisel there are not obliterated , and the ...
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... XII . TWO FAMOUS BRITISH ARCHITECTS : Inigo Jones and His Work - Christopher Wren and St. Paul's Cathedral -His Dismissal from the Royal Service 62-65 66-73 74-86 87-95 The Art of Masonry in Britain . " Fragments of CONTENTS .
... XII . TWO FAMOUS BRITISH ARCHITECTS : Inigo Jones and His Work - Christopher Wren and St. Paul's Cathedral -His Dismissal from the Royal Service 62-65 66-73 74-86 87-95 The Art of Masonry in Britain . " Fragments of CONTENTS .
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... architects and masons emigrated to the rising Byzantium Empire . And so it came to pass that before the fourth century had mid - way run its course the noble buildings of the Roman era were but blackened ruins in a land over - run by ...
... architects and masons emigrated to the rising Byzantium Empire . And so it came to pass that before the fourth century had mid - way run its course the noble buildings of the Roman era were but blackened ruins in a land over - run by ...
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... architects seem to have inherited the chief weakness of Roman art , that of making ornamentation an artificial engraftment on the main body of the building rather than an essential part of the structure in which every pillar , shaft ...
... architects seem to have inherited the chief weakness of Roman art , that of making ornamentation an artificial engraftment on the main body of the building rather than an essential part of the structure in which every pillar , shaft ...
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... of the Masons ' Society . Says Mr. Wren - grandson of the famous architect of that name — in his now almost forgotten work , " Parentalia " : " The Italians , with some Greek refugees , and with them THE ART OF MASONRY .
... of the Masons ' Society . Says Mr. Wren - grandson of the famous architect of that name — in his now almost forgotten work , " Parentalia " : " The Italians , with some Greek refugees , and with them THE ART OF MASONRY .
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Abbey Aberdeen altar amongst ancient appointed apprentice arches architect art of masonry artisans beauty Benedict Biscop Bishop BORTHWICK CASTLE British masonry Brunelleschi builders building built burgh carved castles Chapel Chapter chimney Christopher Wren Church of St College Continental Council decorated doorway early ecclesiastical edifices Ely Cathedral England English erected famous feet fifteenth century Four Crowned Martyrs fraternity gateway Ghiberti Gothic architecture Henry Henry VIII honour Inigo Jones inscription interesting Iona Italian Italy John King King's labour land lodge lofty luge Machar Cathedral magnificent masonry in Britain massive master mason medieval monasteries moulding Mylne Norman masonry oldest ornamented patrons Paul's pillars Prince reign Renaissance Renaissance architecture Robert Mylne Roman Rome roof rude ruins rules Saxon says scarcely Scotland Scots Scottish Scottish masonry sculpture specimen stone church STONE TRADES JOURNAL Strasburg style temple thirteenth century tion tower union walls wark William of Sens Windsor workmen
人気のある引用
43 ページ - Whatever withdraws us from the power of our senses ; whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.
74 ページ - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
35 ページ - I have no dearer aim than to have it in my power, unplagued with the routine of business, for which, heaven knows ! I am unfit enough, to make leisurely pilgrimages through Caledonia ; to sit on the fields of her battles ; to wander on the romantic banks of her rivers ; and to muse by the stately towers or venerable ruins, once the honoured abodes of her heroes.
43 ページ - That man is little to be envied, whose patriotism would not gain force upon the plain of Marathon, or whose piety would not grow • warmer among the ruins of lona.
29 ページ - The moon on the east oriel shone, Through slender shafts of shapely stone, By foliaged tracery combined ; Thou would'st have thought some fairy's hand 'Twixt poplars straight the ozier wand, In many a freakish knot had twined ; Then framed a spell, when the work was done, And changed the willow wreaths to stone.
22 ページ - With massive arches broad and round, That rose alternate, row and row, On ponderous columns, short and low, Built ere the art was known, By pointed aisle, and shafted stalk, The arcades of an alley'd walk To emulate in stone.
45 ページ - I know not anything so perfect in its simplicity, and so beautiful, as far as it reaches, in all the Gothic with which I am acquainted. And just in proportion to his power of mind, that man was content to work under Nature's teaching ; and instead of putting a merely formal dogtooth, as everybody else did at the time, he went down to the woody bank of the sweet river beneath the rocks on which he was building, and he took up a few of the fallen leaves that lay by it, and he set them in his arch,...
105 ページ - As I am dismissed, having worn out by God's mercy a long life in the Royal service, and having made some figure in the world, I hope it will be allowed me to die in peace.
29 ページ - They entered now the chancel tall ; The darkened roof rose high aloof On pillars lofty and light and small: The keystone that locked each ribbed aisle Was a fleur-de-lys or a quatre-feuille; The corbels were carved grotesque and grim; And the pillars, with clustered shafts so trim, With base and with capital flourished around, Seemed bundles of lances which garlands had bound.
14 ページ - The castle (Bedford) was taken by four assaults : in the first was taken the Barbicans, in the second the outer Ballia ; at the third attack the wall by the old tower was thrown down by the miners, where, with great danger, they possessed themselves of the inner Ballia, through a chink ; at the fourth assault, the miners set fire to the Tower (or Keep), so that the smoke burst out, and the tower itself was cloven to that degree, as to shew visibly some broad chinks ; whereupon the enemy surrendered.