Were working the broad bosom of the Lake
Into a thousand thousand sparkling waves,
Rocking the trees, or driving cloud on cloud
Along the sharp edge of yon lofty crags,
The agitated scene before his eye

Was silent as a picture; evermore

Were all things silent wheresoe'er he moved.
Yet by the solace of his own calm thoughts
Upheld, he duteously pursued the round
Of rural labours: the steep mountain side
Ascended with his staff and faithful dog;
The plough he guided and the scythe he swayed,
And the ripe corn before his sickle fell
Among the jocund reapers. For himself,
All watchful and industrious as he was,

He wrought not; neither field nor flock he owned;
No wish for wealth had place within his mind,
No husband's love nor father's hope or care;
Though born a younger brother, need was none
That from the floor of his paternal home
He should depart to plant himself anew;
And when mature in manhood he beheld
His parents laid in earth, no less ensued
Of rights to him, but he remained well pleased
By the pure bond of independent love,
An inmate of a second family,

The fellow-labourer and friend of him

To whom the small inheritance had fallen.
Nor deem that his mild presence was a weight
That pressed upon his brother's house; for books
Were ready comrades whom he could not tire;
Of whose society the blameless man

Was never satiate; their familiar voice
Even to old age with unabated charm

Beguiled his leisure hours, refreshed his thoughts,
Beyond its natural elevation raised

His introverted spirit, and bestowed

Upon his life an outward dignity

Which all acknowledged. The dark winter night,
The stormy day had each its own resource;
Song of the Muses, sage historic tale,
Science severe, or word of Holy Writ
Announcing immortality and joy
To the assembled spirits of the just
From imperfection and decay secure:

Thus soothed at home, thus busy in the field,
To no perverse suspicion he gave way;
No languor, peevishness, nor vain complaint.
And they who were about him did not fail
In reverence or in courtesy; they prized
His gentle manners, and his peaceful smiles;
The gleams of his slow-varying countenance
Were met with answering sympathy and love.
At length when sixty years and five were told
A slow disease insensibly consumed

The powers of nature, and a few short steps
Of friends and kindred bore him from his home,
Yon cottage shaded by the woody cross,
To the profounder stillness of the grave.
Nor was his funeral denied the grace
Of many tears, virtuous and thoughtful grief,
Heart-sorrow rendered sweet by gratitude;
And now that monumental stone preserves
His name, and unambitiously relates
How long and by what kindly outward aids
And in what pure contentedness of mind
The sad privation was by him endured.
And yon tall pine-tree, whose composing sound
Was wasted on the good man's living ear,
Hath now its own peculiar sanctity,
And at the touch of every wandering breeze
Murmurs not idly o'er his peaceful grave.

PREFACE TO EXCURSION

(1814)

THE Title-page announces that this is only a portion of a poem; and the Reader must be here apprised that it belongs to the second part of a long and laborious Work, which is to consist of three parts. -The Author will candidly acknowledge that, if the first of these had been completed, and in such a manner as to satisfy his own mind, he should have preferred the natural order of publication, and have given that to the world first; but, as the second division of the Work was designed to refer more to passing events, and to an existing state of things, than the others were meant to do, more continuous exertion was naturally bestowed upon it, and greater progress made here than in the rest of the poem ; and as this part does not depend upon the preceding, to a degree which will materially injure its own peculiar interest, the Author, complying with the earnest entreaties of some valued Friends, presents the following pages to the Public.

It may be proper to state whence the poem, of which The Excursion is a part, derives its Title of The Recluse.-Several years ago, when the Author retired to his native mountains, with the hope of being enabled to construct a literary Work that might live, it was a reasonable thing that he should take a review of his own mind, and examine how far Nature and Education had qualified him for such employment. As subsidiary to this preparation, he undertook to record, in verse, the origin and progress of his own powers, as far as he was acquainted with them. That Work, addressed to a dear Friend, most distinguished for his knowledge and genius, and to

whom the Author's Intellect is deeply indebted, has been long finished; and the result of the investigation which gave rise to it was a determination to compose a philosophical poem, containing views of Man, Nature, and Society; and to be entitled, The Recluse; as having for its principal subject the sensations and opinions of a poet living in retirement,

The preparatory poem is biographical, and conducts the history of the Author's mind to the point when he was emboldened to hope that his faculties were sufficiently matured for entering upon the arduous labour which he had proposed to himself: and the two Works have the same kind of relation to each other, if he may so express himself, as the antechapel has to the body of a gothic church. Continuing this allusion, he may be permitted to add, that his minor Pieces, which have been long before the Public, when they shall be properly arranged, will be found by the attentive Reader to have such connexion with the main Work as may give them claim to be likened to the little cells, oratories, and sepulchral recesses, ordinarily included in those edifices.

The Author would not have deemed himself justified in saying, upon this occasion, so much of performances either unfinished, or unpublished, if he had not thought that the labour bestowed by him upon what he has heretofore and now laid before the Public entitled him to candid attention for such a statement as he thinks necessary to throw light upon his endeavours to please and, he would hope, to benefit his countrymen.-Nothing further need be added, than that the first and third parts of The Recluse will consist chiefly of meditations in the Author's own person; and that in the intermediate part (The Excursion) the intervention of characters speaking is employed, and something of a dramatic form adopted,

It is not the Author's intention formally to announce a system: it was more animating to him to proceed in a different course; and if he shall succeed in conveying to the mind clear thoughts, lively images, and strong feelings, the Reader will have no difficulty in extracting the system for himself. And in the mean time the following passage, taken from the conclusion of the first book of The Recluse, may be acceptable as a kind of Prospectus of the design and scope of the whole Poem.

On Man, on Nature, and on Human Life,
Musing in solitude, I oft perceive
Fair trains of imagery before me rise,
Accompanied by feelings of delight

Pure, or with no unpleasing sadness mixed;
And I am conscious of affecting thoughts
And dear remembrances, whose presence soothes
Or elevates the Mind, intent to weigh
The good and evil of our mortal state.
-To these emotions, whencesoe'er they come,
Whether from breath of outward circumstance,
Or from the Soul—an impulse to herself—
I would give utterance in numerous verse.
Of Truth, of Grandeur, Beauty, Love, and Hope,
And melancholy Fear subdued by Faith;
Of blessed consolations in distress;

Of moral strength, and intellectual Power;
Of joy in widest commonalty spread;
Of the individual Mind that keeps her own
Inviolate retirement, subject there

To Conscience only, and the law supreme
Of that Intelligence which governs all-

I sing:-'fit audience let me find though few!'

So prayed, more gaining than he asked, the Bard