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164. Interior-Housekeeper examining Baker's Bill.
b. 1786. NASMYTH, PK. d. 1831.

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201. Twelfth Night.

202. Brunetta and Phyllis.

203. Sancho and the Duchess.

204. Scene from the Tempest. 205.

from K. John. Const. "Here I and Sorrow sit." Act 3. Sc. 1 206. Allegorical Sketch.

b. 1775. TURNER, JOHN M. W., R. A. d. 1851.

207. Line Fishing off Hastings.

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213. Italian Mother teaching her Child the Tarantella. 214. Neapolitan Boy decorating his Inamorata.

215. The Favourite Shepherd.

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224. Reading the Scriptures.

b. 1785. WILKIE, SIR D., R.A. d. 1841.

225. The Broken Jar.

226. The Refusal, from Burns' Song of "Duncan Gray." 227. Sketch of a Bookcase for "the Letter of Introduction." 228. The Errand Boy, a Sketch.

229. Sketch of a Head and two Hands.

230. Sketch of the Daughters of Walter Scott.

231. Sketch of a head, for "the Rabbit on the Wall."

232. Landscape Sketch-the Gipsy Party.

b. 1786.

233. The Hop Garden.

WITHERINGTON, W. F., R.A.

[All the oil pictures from No. 1 to No. 233, inclusive, are contained in the gift of Mr. Sheepshanks. ]

Inventory of Drawings, Etchings, &c., in the British Fine Arts Collection, in the South Kensington Museum.

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(Indian ink and chalk.)

4. Studies of composition, 8 in one frame. (Pencil.)
5. Lugger making for the mouth of a harbour. (Pencil.)
6. Coast Scene-Fishing Smack lying to.
7. Rocks and Sea-Isle of Wight.
8. Greenwich Hospital. (Pencil.)

(Chalk.)

9. River View, with Bridge and Cathedral.

b. 1787. COLLINS, WM., R. A. d. 1847.

1

10. The Young Boat-builders. Sketch for picture of " Seaford.” (Pencil.) 11. Coast Scene. (Water colour.)

12. Studies of English Scenery, 4 in one frame. (Water colour.)

13. The River Side. (Water colour.)

14. Street in Naples, with Castle of St. Elmo. (Water colour.)

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18. Study for picture of "Mending the Bait Nets." (Ditto.)

b. 1811. COPE, C. W., R.A.

19. Sleeping Child, Life study. (Chalk.)

20. Study for picture of Palpitation. (Chalk.)

21, 22. Study for Cottar's Saturday Night. (Chalk.)

23. Study of a Kneeling Child, for picture of the "Penitent's Return."

24. Study of Hands, from life. (Coloured chalk.)

25. Youth and Age. (Pen and ink.)

26. Sketch for picture of " the Truants."

27. Study of Hands.

28. Prayer, Old Man's Head. (Chalk.)

b. 1800. HOLLAND, JAMES.

29 to 46. Series of 18 Sketches in Portugal. (Water colour.)

47. Nymwegen on the Rhine. (Water colour.)

b. 1802. LANDSEER, Sir EDWIN, R.A.

48 to 56. Early Drawings of Animals, 9 in one frame. (Pencil and water colour.)

57. Stags' Heads and Dog. (Chalk.)

b. 1794. LESLIE, C. R. R.A.

58. Don Quixote and the Showman's Lion. (Tinted sketch.)

59. Scene from "Peregrine Pickle.”

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60. Study for picture of " Punch." (Chalk.)

61. Sketch of Boys Wrestling, from picture of "The Convalescent."

62. Life Study of Girl and Child, for picture of Firing the Cannon. (Chalk.) 63. The Profile on the Wall.

Painter." (Chalk.)

Sketch for picture of "The Origin of a

64. Life Study of a Male Figure, and two Landscape Studies.

65. Landscape with Cattle.

66. Blackheath Park. (Pen and ink.)

67. Cottages. (Pencil.)

68 to 72. Two Landscape Sketches, with Boys Fishing; and three Studies for the picture of "The Barber's Shop." (Pen and ink.)

74. Life study. (Grey and red chalk.)

75. Study for the Portrait of Mr. Sheepshanks. (Pen and sepia.)

76 and 77. Sketch for the Housekeeper in the same picture and for the Ornamented Fireplace. (Pen and ink).

78. Portrait of Mr. Sheepshanks. (Pen and sepia.)

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81. Study of a Figure in the picture of "The Country Cousins." (Chalk.) 82. Brobdignag Farmer looking at Gulliver. (Chalk.) See picture, No. 169. 83. " Kept in." Study for picture of "The Governess." (Chalk.)

b.

ROBSON, G. F. d. 1833.

84. Charlton, Kent. (Water colour.)

b. 1800. SIMSON, WM. d. 1847.

85. Eel Pots-Sketch from Nature. (Water colour)

86. Scotch Peasants. (Water colour.)

87. Hen and Chickens.-Study for the picture of an Interior, No. 182.

b. 1775. TURNER, J. M. W., R.A. d. 1851.

88. Hornby Castle, Lancashire, (Water colour.)

b. 1781. UWINS, THOMAS, R. A.

89. Mercury and Psyche. (Chalk.)

90. Cupid and Psyche. Study for a picture painted for the Queen. (Chalk.)

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91. Fish-market at Hastings, mounted with No. 8. (Sepia.)

b. 1801. WEBSTER, THOS., R.A.

92. The Leader of the Village Choir.

b. 1785. WILKIE, SIR D., R.A. d. 1841.

93. The Peep of Day Boy. (Chalk.)

b. 1784. BURNETT, JOHN.

94. Cottage near Hastings. (Water colour.)

b. 1793. CARPenter, Mrs. WM.

95. Study from Nature. (Water colour.)

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b. 1811. COOKE, ED. W., A.R.A.

96 to 99. Studies of Fish Baskets on the Coast of Normandy. (Pencil.) 100. Upnor-slight sketch. (Water colour.)

101 to 104. Windmills, Blackheath. (Water colour.)

105. Study for picture entitled "The Antiquary's Cell."

106. Hulks in Portsmouth Harbour. (Water colour.)

107. Study of Armour. (Water colour, varnished.)

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109. London Bridge, with boats, &c. (Two drawings, tinted.)

110. London Bridge.

111. On the Thames. (Tinted sketch.)

112. Near Battersea. (Tinted sketch.)

b. 1791. GEDDES, A., R.A.

d. 1844.

115. Il Bourguinone. Portrait from the Florentine Gallery. (Chalk.)

b. 1802. LANDSEER, SIR EDWIN, R. A.

114 to 117. Recollections of Sir Walter and Lady Scott; and other slight sketches in pen and ink.

b. 1794. LESLIE, Cs. Rr., R.A.

118. Mother teaching.

b. 1785. WILKIE, SIR DAVID, R.A. d. 1841.

120 to 124. Sketches and Studies for picture of "The Refusal," from Burns' "Duncan Gray." (Pencil and chalk.)

125. Sketch in bistre of a Female.

126. Camels.

b. 1778. JACKSON, J., R.A. d. 1831,

127 to 153. Series of 26 slight Sketches in Holland and Belgium, from the travelling sketch-book of the artist, in five frames. (Chalk and pencil.)

[The Drawings and Sketches from No. 1 to 153, inclusive, are the gift of Mr. Sheepshanks; others also given by him will, as they occur, be marked-J. S.]

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155. Study of Female Hands, for the picture of "The Sisters." (Chalk.) 156. Study of Hands of Brabantio, in the picture of "Othello." (Chalk.) 157. Study of a Head in picture of the "Death of Cardinal Wolsey." 158 and 159. Studies of Female Figure. (Pen and ink.)

160 and 161. Studies of Female Figure in the picture of "The Cup of Cold Water." (Chalk.)

162. Study of Child for same picture. (Chalk.)

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164, 164*, and 165. Studies for the fresco of the Baptism of Ethelbert. (Chalk.) 166. Head from the cartoon of "Neptune giving to Britannia the Empire of the Sea." Painted in fresco for Her Majesty at Osborne. (Charcoal.) 167. Study for picture of the Consecration of Archbishop Parker.

168. "Design" personified as a Female Figure. Drawing prepared for the cover of the Government Drawing Book.

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