An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 ページ |
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... from the tone of a court . In or der to please upon the French stage , every perfon of every age and nation was made to adopt French manners . A 2 The The Heroes of antiquity were not more disguised in the INTRODUCTION . 3.
... from the tone of a court . In or der to please upon the French stage , every perfon of every age and nation was made to adopt French manners . A 2 The The Heroes of antiquity were not more disguised in the INTRODUCTION . 3.
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... stage : and what are most parts of Corneille's boafted tragedies , but the romantic dialogue , its tedious foliloquy , and its extravagant sentiments in the true Gothic livery of rhyme ? The French poets affume a fuperiority over ...
... stage : and what are most parts of Corneille's boafted tragedies , but the romantic dialogue , its tedious foliloquy , and its extravagant sentiments in the true Gothic livery of rhyme ? The French poets affume a fuperiority over ...
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... stage . After our poet has received fuch im- portant fervices from the united efforts of talents and learning in his behalf , fome apology feems neceffary for this work . But let it be remembered , that the most fu- perb and lasting ...
... stage . After our poet has received fuch im- portant fervices from the united efforts of talents and learning in his behalf , fome apology feems neceffary for this work . But let it be remembered , that the most fu- perb and lasting ...
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... stage had exhibited only those palpable allegories , by which rude unletter- ed moralists inftruct and please the grofs and ignorant multitude . Nothing can more plainly evince the opinion , the poets of those times had of the ignorance ...
... stage had exhibited only those palpable allegories , by which rude unletter- ed moralists inftruct and please the grofs and ignorant multitude . Nothing can more plainly evince the opinion , the poets of those times had of the ignorance ...
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... Stage is contrived to impofe the delufion on the fpec- tator , by confpiring with the imitation . It is addreffed to the imagination , through which it opens to itself a communication with the heart , where it is to excite certain ...
... Stage is contrived to impofe the delufion on the fpec- tator , by confpiring with the imitation . It is addreffed to the imagination , through which it opens to itself a communication with the heart , where it is to excite certain ...
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abfurd addrefs admired Affaffin affume againſt allegory anſwer ANTONY appears Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpectator French fuch fuperior fuppofed genius Ghoft ghoſt greateſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſters mind moft moſt muft muſt myſelf nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet poetry preſent purpoſe racter raiſed reaſon refpect repreſentation repreſented Roman ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſubject ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed Voltaire vulgar whofe whoſe Witches
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247 ページ - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
260 ページ - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
265 ページ - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
265 ページ - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
254 ページ - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
182 ページ - If chance will have me king, why, chance may crown me, Without my stir.
177 ページ - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
262 ページ - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
266 ページ - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
183 ページ - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...