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to them, that the education of women, as at present conducted, is founded in mistaken principles, and tends to increase fearfully the sum of misery and error in both sexes; but I do not choose presumptuously to fling these opinions in the face of the world, in the form of essays on morality, and treatises on education. I have rather chosen to illustrate certain positions by examples, and leave my readers to deduce the moral themselves, and draw their own inferences.

MEDON.

And why have you not chosen your examples from real life? you might easily have done so. You have not been a mere spectator, or a mere actor, but a lounger behind the scenes of existence-have even assisted in preparing the puppets for the stage: you might have given us an epitome of your experience, instead of dreaming over Shakspeare.

ALDA.

I might so, if I had chosen to become a female satirist, which I will never be.

MEDON.

You would at least stand a better chance of being read.

ALDA.

I am not sure of that. The vile taste for satire and personal gossip will not be eradicated, I suppose, while the elements of curiosity and malice remain in human nature; but as a fashion of literature, I think it is passing away;-at all events it is not my forte. Long experience of what is called "the world," of the folly, duplicity, shallowness, selfishness, which meet us at every turn, too soon unsettles our youthful creed. If it only led to the knowledge of good and evil, it were well; if it only taught us to despise the illusions and retire from the pleasures of the world, it would be better. But it destroys our belief-it dims our perception of all abstract truth, virtue, and happiness; it turns life into a jest, and a very dull one too. It makes us indifferent to beauty, and incredulous of

goodness; it teaches us to consider self as the centre on which all actions turn, and to which all motives are to be referred.

MEDON.

But this being so, we must either revolve with these earthly natures, and round the same centre, or seek a sphere for ourselves, and dwell apart.

ALDA.

I trust it is not necessary to do either. While we are yet young, and the passions, powers, and feelings, in their full activity, create to us a world within, we cannot look fairly on the world without:-all things then are good. When first we throw ourselves forth, and meet burrs and briars on every side, which stick in our very hearts; —and fair tempting fruits which turn to bitter ashes in the taste, then we exclaim with impatience, all things are evil. But at length comes the calm hour, when they who look beyond the superficies of things begin to discern their true bearings; when

the perception of evil, or sorrow, or sin, brings also the perception of some opposite good, which awakens our indulgence, or the knowledge of the cause which excites our pity. Thus it is with me. I can smile, -nay, I can laugh still, to see folly, vanity, absurdity, meanness, exposed by scornful wit, and depicted by others in fictions light and brilliant. But these very things, when I encounter the reality, rather make me sad than merry, and take away all the inclination, if I had the power, to hold them up to derision.

MEDON.

Unless, by doing so, you might correct them.

ALDA.

Correct them! Show me that one human being who has been made essentially better by satire! O no, no! there is something in human nature which hardens itself against the lash—something in satire which excites

only the lowest and worst of our propensities. That avowal in Pope

I must be proud to see

Men not afraid of God, afraid of me!

—has ever filled me with terror and pity—

MEDON.

From its truth perhaps?

ALDA.

From its arrogance, for the truth is, that a vice never corrected a vice. Pope might be proud of the terror he inspired in those who feared no God; in whom vanity was stronger than conscience: but that terror made no individual man better; and while he indulged his own besetting sin, he administered to the malignity of others. Your professed satirists always send me to think upon the opposite sentiment in Shakspeare, on "the mischievous foul sin of chiding sin." I remember once hearing a poem of Barry Cornwall's (he read it to me), about a strange winged creature that,

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