Some Textual Difficulties in ShakespeareYale University Press, 1914 - 251 ページ |
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14 ページ
... reasons . First . A play is intended to be acted . Cer- tain lines are therefore especially fitted for gesture . In this scene Achilles is sulking in his tent , and Patroclus , thinking his strange inactivity could only be due to love ...
... reasons . First . A play is intended to be acted . Cer- tain lines are therefore especially fitted for gesture . In this scene Achilles is sulking in his tent , and Patroclus , thinking his strange inactivity could only be due to love ...
16 ページ
... to the mind is motionless ; the attention is concentrated on atmosphere itself . And so , as Shakespeare was so particular , it is reason- able to suppose that if he wished to depict the 16 SOME TEXTUAL DIFFICULTIES IN SHAKESPEARE.
... to the mind is motionless ; the attention is concentrated on atmosphere itself . And so , as Shakespeare was so particular , it is reason- able to suppose that if he wished to depict the 16 SOME TEXTUAL DIFFICULTIES IN SHAKESPEARE.
17 ページ
... reason it is suspected of loss or error is that the words do not smoothly fill out the regular pentameter measure that Shakespeare was supposed to write in ; and the obolus is placed before " round world . " Clark and Wright , our ...
... reason it is suspected of loss or error is that the words do not smoothly fill out the regular pentameter measure that Shakespeare was supposed to write in ; and the obolus is placed before " round world . " Clark and Wright , our ...
36 ページ
... reasons for dying . His impelling reason for wanting to die is stated at once , first and fore- most . It is " the heartache and the thousand and one natural shocks that flesh is heir to . " By " natural shocks " he means the shocks to ...
... reasons for dying . His impelling reason for wanting to die is stated at once , first and fore- most . It is " the heartache and the thousand and one natural shocks that flesh is heir to . " By " natural shocks " he means the shocks to ...
42 ページ
... reason that she breaks in , " Nay , hear them , Antony . " And the messenger says nothing because he saw that he simply was not wanted . Difficulty with this passage , which began with the earliest editors , has resulted in con- tinual ...
... reason that she breaks in , " Nay , hear them , Antony . " And the messenger says nothing because he saw that he simply was not wanted . Difficulty with this passage , which began with the earliest editors , has resulted in con- tinual ...
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airy air allusion Antony Archbishop Armado audience Bardolph Bassanio Belarius Boyet brother carbonadoed character Cloten Clown co-join conjecture considered Costard critics crux devil's knight doubt emendation emotion error Escalus express eyes fact Falstaff fear feeling figure of speech Folio give Globe editors Gratiano Guiderius Hamlet Hastings hath Henry Hermione hope human nature idea insight intermission Juliet king knight Laertes Lafeu Leontes live lonius look lord Love's Labour's Lost Mamillius meaning Measure for Measure ment mental mind modern editions Neilson obolus Ophelia outfaced pain passage Pistol plain play plummet point of view Polonius Pompey present punctuation question reader reading reason refer regard reply Romeo and Juliet ropes runaway runaway's Samuel Johnson scar scene Scroop sense sentence Shake Shakespeare shows simply soul speak speare stand statement supposed thing thou thought tion understand whole wink wish Woo't words
人気のある引用
209 ページ - What a piece of work is a man! How noble in reason! how infinite in faculties! in form, and moving, how express and admirable! in action, how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals ! And yet, to me, what is this quintessence of dust?
245 ページ - Twixt the turtle and his queen: But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight; Either was the other's mine.
208 ページ - I have of late — but wherefore I know not — lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory...
209 ページ - In form and moving how express and admirable ! In action how like an angel! In apprehension how like a god! The beauty of the world! The paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me, — no, nor woman neither, though by your smiling you seem to say so.
75 ページ - tis done, then 'twere well It were done quickly: If the assassination Could trammel up the consequence, and catch, 'With his surcease, success ; that but this blow Might be the be-all and the end-all here. But here, upon this bank and shoal of time, — We'd jump the life to come...
205 ページ - A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs?
123 ページ - We go to gain a little patch of ground That hath in it no profit but the name.
1 ページ - That runaway's eyes may wink, and Romeo Leap to these arms, untalk'd of and unseen! Lovers can see to do their amorous rites By their own beauties; or, if love be blind...
76 ページ - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.
208 ページ - I have of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appeareth nothing to me but a foul and pestilent congregation of vapours.