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acted Agatha Alphonse appear asked beauty became become believe Bertha brought called Church close court dark death doubt effect England English entered existence eyes face father fear feelings feet felt flowers followed give given grows hand happy head heard heart Holy hour interest Italy kind king knew known lady Lake leaves less letter light lips living looked Madame married means mind mother nature never night once Paris passed passion person play poor present Prince queen question received remained round royal Rudolph seemed seen side smile soon soul species spirit standing stood supposed taken tell things thought told took trees true turned voice whole wife wish woman young
313 ページ - I told my love, I told my love, I told her all my heart. Trembling, cold, in ghastly fears^ Ah! she did depart. Soon after she was gone from me A traveller came by, Silently, invisibly: He took her with a sigh.
295 ページ - Hyperion's curls, the front of Jove himself, An eye like Mars, to threaten and command, A station like the herald Mercury New-lighted on a heaven-kissing hill, A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man.
418 ページ - Partridge, with a contemptuous sneer; "why, I could act as well as he myself. I am sure if I had seen a ghost I should have looked in the very same manner, and done just as he did.
315 ページ - Felpham is a sweet place for study, because it is more spiritual than London. Heaven opens here on all sides her golden gates; her windows are not obstructed by vapours; voices of celestial inhabitants are more distinctly heard and their forms more distinctly seen; and my cottage is also a shadow of their houses.
418 ページ - His was the spell o'er hearts Which only Acting lends, — The youngest of the sister Arts, Where all their beauty blends : For ill can Poetry express Full many a tone of thought sublime, And Painting, mute and motionless. Steals but a glance of time. But by the mighty actor brought, IJlusion's perfect triumphs come, — Verse ceases to be airy thought, And Sculpture to be dumb.
425 ページ - This case of flesh and blood seems too insignificant to be thought on — even as he himself neglects it. On the stage we see nothing but corporal infirmities and weakness, the impotence of rage ; while we read it, we see not Lear, but we are Lear — we are in his mind — we are sustained by a grandeur which baffles the malice of daughters and storms...
425 ページ - ... the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear...
294 ページ - You would have thought the very windows spake, So many greedy looks of young and old Through casements darted their desiring eyes Upon his visage ; and that all the walls, With painted imagery, had said at once, — Jesu preserve thee ! welcome, Bolingbroke ! Whilst he, from one side to the other turning, Bare-headed, lower than his proud steed's neck, Bespake them thus, — I thank you, countrymen: And thus still doing, thus he pass'd along.